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Articles Home » 1984 Articles » Molly Hatchet - 1984 The Deed Is Done
 
Molly Hatchet - 1984 The Deed Is Done



ARTIST: Molly Hatchet
ALBUM: The Deed Is Done
LABEL: Epic
SERIAL: EPC 26213
YEAR: 1984
CD REISSUE: 1985, Epic, EK 39621 * 2006, Gottdiscs (UK), GOTTCD 033

COUNTRY OF ORIGIN:

LINEUP: Danny Joe Brown - vocals * Dave Hlubek - guitars * Duane Roland - guitars * Riff West - bass * John Galvin - keyboards * Bruce Crump - drums

Additional Musicians: Jimi Jamison, Steve Bassett, Tom Deluca - backing vocals

TRACK LISTING: 01 Satisfied Man * 02 Backstabber * 03 She Does She Does * 04 Intro Piece * 05 Stone In Your Heart * 06 Man On The Run * 07 Good Smoke And Whiskey * 08 Heartbreak Radio * 09 I Ain't Got You * 10 Straight Shooter * 11 Song For The Children

WEBLINKS: www.mollyhatchet.com


Background
In what would be their last studio album until 1989, Molly Hatchet finally followed the lead of .38 Special and dived into the Southern-AOR market. 1983's 'No Guts, No Glory' was traditional boogie the band was renowned for, but with declining album sales Hatchet bought in outside writers and took a stab at a genre providing hits for so many artists. They were successful: musically. They didn't disown their roots either, just combined the two.


The Songs
Die hard Hatchet fans must have been livid as soon as they heard 'Satisfied Man'. It took only seconds for John Galvin's modern synths to erupt, in a fashion Hatchet were previously unaccustomed to. Then the chanted chorus hits, with a steely riff, with just enough Southern overtones to keep the fan base happy. 'Backstabber' is AOR, simple as that. The chorus is first rate, until they repeat it several hundred times. Hlubek and Roland really deliver on their solo's, mastering the art of the melody needed to make classic AOR. 'She Does, She Does' has Brown bellowing in his unique style, backed up by that instrument of power, the sax. By this point the band can do no wrong! 'Stone In Your Heart' could easily be a Survivor or Michael Bolton written tune, huge made for radio chorus and moody synthesizer backing should have made this a no 1 hit. By the time of the solo, you will be caught in a time warp, circa LA 1984. For their die hard fans, this must have been a bitter pill, but for fans of both it's a dream come true. 'Man On The Run' is another singalong overdose, the hook driven home so thoroughly, you will never forget it. After all this magic Hatchet move back into usual territory with 'Good Smoke And Whiskey' and 'Heartbreak Radio', cranking out some boogie riffs and piano instead. This further accomplishes the album. 'Straight Shooter' is fantasy music, an AOR verse with boogie backing. The album ends an instrumental, 'Song For The Children', an acoustic showcase. Quite a mystifying choice considering what preceded it.


In Summary
Unfortunately Hatchet's moment had passed and 'The Deed Is Done' failed to chart in the US. A live album 'Double Trouble' followed, but it wasn't until 1989's poor 'Lightning Strikes Twice' that new material surfaced. After that more silence, but 1995's 'Devils Canyon' saw a resurgence that Hatchet have built on steadily since, even though no original members remain. It must be noted that current vocalist Steve Bassett provided backing vocals for 'The Deed Is Done'. As far back as 1984 he was involved with Hatchet. Probably the most forgotten of all Hatchet albums from 78-84, it is still one of the best. Southern rockers and AOR fans never had it so good.


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Comments
#1 | gdazegod on November 18 2011 08:48:44
Some of the AOR-ish tones on this album may have been influenced by outside writers. Tom DeLuca was one, co-writing 5 of the 11 tracks here.
#2 | jeffrey343 on November 19 2011 04:32:46
I got this in '84 after hearing 'Satisfied Man' on the radio. It and 'Stone In Your Heart' ( with the intro piece 'The Deep End' ) were pretty epic songs to me in my last semester of high school. The rest of it was maybe a little too southern for me (I preferred the southern AOR sound like .38 Special had mastered), but definitely not bad. I would have really enjoyed an entire album like those two songs.
 
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