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Saxon - 1983 Power And The Glory




ARTIST: Saxon
ALBUM: Power And The Glory
LABEL: Carerre
SERIAL: CALP147
YEAR: 1983
CD REISSUE: 2009, EMI, 50999 6 99341 2 4 (bonus tracks, remastered)

COUNTRY OF ORIGIN:

LINEUP: Biff Byford - vocals * Paul Quinn - guitars * Graham Oliver - guitars * Steve Dawson - bass * Nigel Glockler - drums

TRACK LISTING: 01 Power And The Glory * 02 Redline * 03 Warrior * 04 Nightmare * 05 This Town Rocks * 06 Watching The Sky * 07 Midas Touch * 08 The Eagle Has Landed

WEBLINKS: www.saxon747.com


Background
Saxon were only five albums into their recording career, but to many they peaked with 'Power And The Glory'. The four previous albums were rough slices of boogie-metal fusion, but natural progression saw the first shades of metallic AOR creep into their sound. Not to mention an ever increasing polished production. This allows the album to stand with Def Leppard's 'Pyromania' and Iron Maiden's 'Piece Of Mind' as one of 1983's best albums from the NWOBHM pioneers. It should have cracked the American market wide open for Saxon. Due to record company politics and some bad breaks, it never happened. Quite amazing when you consider Motley Crue were opening for them.


The Songs
The title track remains one of Saxon's key moments. The riff is brutish and carries the entire track. Nigel Glockler was making his first appearance as drummer and kicks the crap out of his kit with some thunderous double bass kicks. 'Redline' is a street machine anthem, one of early Saxon's trademarks, although far more sophisticated than the dirty 'Freeway Mad' sound from 1980. Noted producer Jeff Glixman was at the helm, so gleaming precision was a sure thing. 'Warrior' is a traditional metal classic, with a bodyblow of a riff. The Nordic 'rape and pillage' lyrics were never better. Crushing. Then the first shades of AOR are explored with 'Nightmare', while not a ballad, it has a fine sense of atmosphere and a great chorus. It was a sign of the direction pursued for much of the decade. 'This Town Rocks' is another full speed metal burner, but 'Midas Touch' and 'Watching The Sky' let the album down a bit. They are missing an essential chorus or piece or melody. Some unfortunate filler. The momentum is regained with the epic drama of 'The Eagle Has Landed', huge on buildup with plenty of tension in the guitar work from Oliver and Quinn.


In Summary
Saxon's AOR direction would grow stronger with 'Crusader' and 'Innocence Is No Excuse', before peaking in 1988 with 'Destiny'. Foremost they were still a metal band. But for all round excellence, 'Power' will always be the Saxon album to own. The clinical touch is as equal to 'Pyromania' in many ways, a good balance between all out heavy metal with just a tinge of AOR. It solidified Biff and the boys reputation as legends of the genre, a tag never to be lost.


Related Articles
Saxon - 1979 Saxon
Saxon - 1980 Wheels Of Steel
Saxon - 1981 Denim And Leather
Saxon - 1983 Power And The Glory
Saxon - 1985 Innocence Is No Excuse
Saxon - 1988 Destiny
Saxon - 1990 Solid Ball Of Rock
Saxon - 1997 Unleash The Beast
Saxon - 2000 Diamonds And Nuggets
Saxon - 2004 Lionheart
Saxon - 2007 The Inner Sanctum
Saxon - 2009 Into The Labyrinth
Saxon - 2011 Call To Arms
Saxon - 2013 Sacrifice


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Comments
Comments
#1 | george_the_jack on June 06, 2008
This is the album that entered Saxon in a more commercial field and let part of the audience to get in touch with the music of the band, a part that never before had tasted their music. Albums like Destiny, Crusader and Solid Ball of Rock revealed an an even more melodic radio rock touch of the British legends that criticized that time by the old-fashion fans of them. Generally, if you like good melodic hard rock, the three above mentioned albums together with ''Power And The Glory'' are great releases which made Saxon favorite and a part of AOR history.
#2 | sabace on August 03, 2008
WHAT HAPPENED TO WHEELS OF STEEL ! THEIR ONLY REAL CLASSIC LP , FOLLOWED BY STRONG ARM OF THE LAW !
#3 | dangerzone on August 03, 2008
I don't know about that. You might be in a minority with that opinion.
#4 | Jez on October 31, 2008
The last Saxon album from the NWOBHM era and the last one to really get the fans seal of approval again, until the beginning of the 90's. Again some really strong stuff on here 'Power And The Glory', 'Nightmare' and the album standout for me, the superb 'Midas Touch', but, there are also a couple of so so tracks and the very ordinary, crass metal of 'This Town Rocks' which spoil things a little in the middle section. It's still a great Saxon album in general, but not as good as what went before it.
#5 | jeffduran on November 02, 2008
Even though the fans hated them, I love Saxon's AOR-ish releases like 'Innocence Is No Excuse', "Rock The Nation', 'Destiny' and moments of 'Solid Ball Of Rock'. The early albums were decent rock platters but the stuff they did from 'Dogs Of War' to now is absolute rubbish imo.
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