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Articles Home » 2016 Articles » Bowie, David - 2016 Blackstar
 
Bowie, David - 2016 Blackstar



ARTIST: Bowie, David
ALBUM: Blackstar
LABEL: ISO/Sony
SERIAL: 88875173862
YEAR: 2016

COUNTRY OF ORIGIN:

LINEUP: David Bowie - vocals, acoustic guitar * Donny McCaslin - flute, saxophone, woodwinds * Ben Monder - guitar * Jason Lindner - piano, organ, keyboards * Tim Lefebvre - bass * Mark Guiliana - drums, percussion

TRACK LISTING: 01 Blackstar * 02 'Tis A Pity She Was A Whore * 03 Lazarus * 04 Sue (Or In A Season Of Crime) * 05 Girl Loves Me * 06 Dollar Days * 07 I Can't Give Everything Away

WEBLINKS: ww.davidbowie.com


Background
With the recent passing of the great man, writing this review has, inevitably taken on a different perspective for me. I had plans to review 'Blackstar' anyway, but it now does seem all the more appropriate for GDM to pass comment on this, his last album and with his position within the history of rock now truly cemented as iconic. Recorded, very much like his last album 'The Next Day' in near perfect secrecy, Bowie this time round used musicians from a progressive jazz background to fulfil his need of what he wanted for the sound of 'Blackstar'.


The Songs
I would argue that the songs on 'Blackstar' (a relatively loose term for this album) are on a par with his most engaging and experimental work since his glorious 'Berlin' trilogy. The music on offer here seems to be more like sketches which have then been woven together to make up a bigger picture. From the jarring opening sequence of the title track which then segues into the most beautiful melody half way through all the way to the final strains of 'I Can't Give Everything Away', the quality is undeniable. The title track at nearly 10 minutes in length captures the listener's imagination throughout and coupled with its eerie video it will live long in the memory. 'Lazarus' sees Bowie half singing, half speaking the lyrics on top of a haunting, moving backdrop. Bowie till the end had an unerring sense of melody and knew how to get the maximum impact out of the musicians around him. Throughout Bowie's vocals are as usual wonderful, particularly on 'Dollar Days' and the busy 'Sue (Or In a Season of Crime)'. Also, it's worth mentioning Bowie's long standing producer Tony Visconti who yet again oversees the album and compliments perfectly Bowie's vision. It's rumoured that there were also other songs that had been worked on during Bowie's last burst of activity and if they are of this quality, it would be a crime for them to remain unreleased.


In Summary
Since his passing there has much conjecture and analysis over the lyrical content of the album and whether or not it was Bowie saying goodbye. I for one am not going to join in with this debate. The only person who really knows the meaning behind the words on this album is Bowie himself. What he has left the world with is an album that poses as many questions as it answers, and Bowie leaves behind a legacy that, and rightly so, has been lauded as genius. The day before Bowie's death I had a FB conversation with George here from GDM and commented that the album was strange, but strangely compelling, which could sum up his whole career really, he was indeed at times strange but his music was always compelling. The world is a less good place without David Bowie in it. Finally, and I don't think I'm overstating his importance, here was man who not only changed music but changed the way we questioned everyday conventions and also, speaking from a personal viewpoint he touched my life at time when as a curious teenager back then was seeking answers and looking for a direction. I miss him. [word count 534]


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Tags: David Bowie 
 
Comments
#1 | Eric on January 19 2016 22:48:25
Listened to this about a dozen times and its unlike any other Bowie album with its jazzy edge. Read an article the other day about the alleged Occult references and hidden meaning and I think people are reading too much into it. There is a mention of Crowley, but come on people, this isn't Cradle of Filth but an innovative and fresh Art Rock album from a man to the very end was brimming with creativity and ideas. A Wizard, a true Star.
#2 | Carl Noonan on January 19 2016 23:45:16
I grew up listening to Bowie from the age of 10 and have bought every album, some are classics and there are some that didn't live up to his best work but they all have something about them that nobody else could ever match. Blackstar is unlike anything he'd ever done before but it still has that quality and originality. For a man to create work like this at his age and knowing he was terminally ill speaks volumes. He was a genius and this album is very special. His death came as a shock and has upset more than anyone's passing in the music world.
 
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