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23-01-2018 19:27
R.I.P Dave Holland, drummer, ex Trapeze and Judas Priest. Aged 69.

22-01-2018 21:32
Wonderful recent interview with Gary Numan.

21-01-2018 21:04
Lucky and now skint, judging by the winning bid!!

21-01-2018 20:47
Some lucky Jeff Lynne fan got a real rarity!

21-01-2018 09:43
Yep in Argent, especially as Rod Argent and Jim we’re cousins.

21-01-2018 07:43
Didn't Rodford also play in Argent and Charlie too?

20-01-2018 22:04
Jim Rodford, bass player, The Kinks, Phoenix (I think?), but I remember him with The Zombies, saw live a while back. RIP

17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

17-01-2018 18:44
Review of the rather splendid `Hornal` album is in the works too.

17-01-2018 01:57
Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

Articles Hierarchy
Articles Home » 1967 Articles » Moody Blues - 1967 Days Of Future Passed
Moody Blues - 1967 Days Of Future Passed

ARTIST: Moody Blues
ALBUM: Days Of Future Passed
LABEL: Deram
SERIAL: SML 707 (Original Vinyl), 844 767-2 (CD)
YEAR: 1967
CD REISSUE: Reissue List


LINEUP: Mike Pinder - mellotron, piano, tambura vocals, (including spoken) * Ray Thomas - flutes, percussion, vocals * Justin Hayward - acoustic & electric guitars, piano, sitar, vocals * John Lodge - bass, vocals * Graeme Edge - drums, percussion, vocals * Peter Knight - conductor, arrangements * The London Festival Orchestra

TRACK LISTING: 01 The Day Begins: The Day Begins, Morning Glory * 02 Dawn: Intro, Dawn Is A Feeling * 03 The Morning: Intro, Another Morning * 04 Lunch Break: Intro, Peak Hour * 05 The Afternoon: Forever Afternoon (Tuesday?), (Evening) Time to Get Away * 06 Evening: Intro, The Sun Set, Twilight Time * 07 The Night: Nights in White Satin, Late Lament

'Days Of Future Passed' is an album along with The Beatles' 'Sgt Pepper' and 'Revolver' (and to a lesser extent Jimi Hendrix 'Are You Experienced?') that were the soundtrack to my growing up in the 60's. I wasn't quite old enough to actually own these albums then, but thanks to my older brother who was the perfect age for that 60's social/cultural explosion, I got to hear these pretty much every day back in the mid 60's. In those days of course I was too young to appreciate what I was hearing but these albums must have seeped into my subconscious at some point and without a doubt helped form my later musical tastes.

Well, that's enough about me, so what about the album? For this review I am using the original vinyl as my template as I believe this is the best way of listening to the album. Even though there have been a myriad of CD reissues throughout the years and because of issues with the original tapes and inferior mixes etc, I believe the original vinyl stereo mix is the perfect version to capture the magic contained in the grooves. 'Days Of Future Passed' is the Moodies second album, their first being a modest incursion into the white R'n'B which was prevalent back then which produced the hit single 'Go Now'. With various changes to their line up and label change, it bought about an opportunity to try out the new 'Deramic Sound System', and for their new label they embarked on an ambitious 'Song Cycle' or concept album as we know it today. What The Moody Blues produced was (in some quarters) hailed as the first progressive rock concept album. Whichever way you look at it, this album is a true cornerstone in rock history and its importance can never underplayed. Its innovative use of mellotron and orchestra has ensured legendary status for this album.

The Songs
Most concept albums do tend to hang together rather loosely, with not all songs lending themselves to the story that the band are trying to tell. This is not the case here. Every song flows seamlessly into the next. The concept or song cycle is centred on the typical working day of the time, which starts us off nicely with side one's 'The Day Begins' which is orchestral in nature with interlinking musical themes that can be found throughout the album before a spoken passage from Mike Pinder sets the scene, all very 1960's but beautiful nevertheless. 'Dawn' follows which marks the first experience of the now very familiar voice of Justin Hayward, the song is a languid, pastoral affair which he has excelled at throughout his career. 'The Morning' is a lively, jaunty song complete with flute from Ray Thomas and delicate harmonies which adds a real vibrancy to the song. 'Lunch Break' starts with a busy orchestral arrangement which could easily have adorned any self respecting TV documentary of the time, before breaking into a very upbeat, rocky affair with again the harmony work pushing the song to greater heights.

So that's side one dealt with, now let's flip it over onto side two, which starts with 'The Afternoon', Justin Hayward giving an impassioned vocal performance and the song moving gracefully through various movements before finishing with John Lodge telling us it's time to get away and get ready for the evening. 'Evening' once more starts with lush orchestration and Mike Pinder and Ray Thomas sharing vocal duties on an (initially) strangely subdued, trippy piece before the pace picks up somewhat, the song then moves effortlessly into the closer which any self respecting music fan will surely be aware of. 'Nights In White Satin' has through the years been half inched by the MOR brigade for weddings etc, but here in all its 7 and a half minute glory it fits perfectly into the concept of the working day, again a wonderful arrangement elevates the song onto unprecedented heights before once more a spoken outro ends the album in fine style.

In Summary
This album is fast approaching its 50th birthday, and with that is showing definite signs of ageing. On the surface, the orchestral arrangements come across as twee and 'BBC light Programme-ish' but at the time were quite groundbreaking and the thought of combining rock music and an orchestra was unheard of. Similarly with the lyrics and in particularly the spoken intro and outro with its 6th form style poetry which now from 50 years distance is easy to mock, but back then it was really something to behold, and of course although I failed to mention it when dissecting the songs, the use of the mellotron by the band was really a first for rock music. The influence this album has had on musicians throughout the intervening years is immeasurable and hence the albums stature has grown. I love playing it to this day and it recalls, for me a far simpler time but also a time when real experimentation and boundary pushing by bands such as the Moodies and of course The Beatles was very much the fashion. It's been said that this album was the precursor for prog rock, I don't know about that, all I will say is that 'Days Of Future Passed' is an indispensible piece of music which still fills me with awe and wonder to this very day.

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#1 | gdazegod on September 13 2015 08:10:08
Without doubt, the oldest album reviewed here at GDM.
#2 | Explorer on September 13 2015 08:36:03
Hope that doesnt mean I`m the oldest one here at GDM!
#3 | gdazegod on September 13 2015 09:12:04
It probably does Malcolm.. lol!
#4 | Eric on September 13 2015 14:49:30
Wonderful review and equally wonderful album. I have a couple things from the same era I plan on giving a go.
#5 | Explorer on November 27 2017 18:07:10
The 50th Anniversary Edition is a thing of real beauty with a remastered original 1967 mix which makes its first appearance on CD.
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