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19-11-2017 09:44
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Articles Home » 2013 Articles » Gentlemen, The - 2013 Departures
Gentlemen, The - 2013 Departures

ARTIST: Gentlemen, The
ALBUM: Departures
LABEL: The Gentleman Music Ltd
YEAR: 2013


LINEUP: Nicholas Rognli-Oslen Noble - vocals, piano * Sean D'Souza Walsh - guitars, synthesizers, vocals * Joel Cana - drums, percussion, vocals * Josh Cana - bass, keyboards, guitar and vocals

TRACK LISTING: 01 We Can Have A Disco * 02 Words * 03 New York Girl * 04 Jump In The Ocean * 05 This Is It * 06 Twenty Seven Days * 07 We Don't Want No Trouble * 08 Lights Of Tokyo * 09 Another Day * 10 I Won't Let You Down * 11 A Little Bit Foreign * 12 Under These Skies * 13 Two Bottles * 14 This Is Where


WEBLINKS: www.facebook.com/TheGentlemenMusicUK

This four piece are based in the steel town of Sheffield, so straight to important stuff, are they United or Wednesday supporters? Well I don't know, that don't look the football type in all honesty, but what do I know? in fact what does the general public of England know? From a country that only appreciates one group from Sheffield, that being the (Awful) Arctic Monkeys, the last time anyone has produced music using such an overstated dialect so pronounced was from The Singing Postman, 'Hev yew gotta loight boy'. While I'm at it, add in the ginger kid with the ukulele and a country who would readily vote for millionaires, we are know who they are and tune in to watch Strictly Come Dancing, and what the hell is Tumble all about, I'm waiting for the next new show being Celebrities again filling up school playgrounds with Celebrity Marbles. The point here I'm making (yes very long winded as usual), is that after three albums, The Gentlemen have called it a day. When they managed to record one of the best albums produced by a British band in the last 10 years, totally unnoticed, shame of you England. I first become aware of The Gentlemen this year when they supported The Feeling. The last time a support group made such an impression on me was way back when Dokken supported AC/DC, bit of lie because my incentive was just to watch Dokken, AC/DC just seem to pass me by that evening. While they didn't top The Feeling, I did came away annoyed that I hadn't brought enough money with me to buy this album. When I finally obtained a copy, some of the songs I immediately remembered, and it had been a good 4 months after the event, which shows what a good job they did that night. So what is involved here musically, yes The Feeling is a good starting point, but they are also mixing in lots of other pop influences old and new. But this is quite complex pop music, surges of Prince, Level 42 but also some lost rock groups of the past, which I will come onto later, just hopefully to maintain your interest. Their website states they are electro pop; well that description is still lost on me.

The Songs
'We Could Have A Disco' is like bringing Francis Dunnery back to front It Bites, not all that current prog stuff they are producing at the moment, it's just stunning. Whether it's the Brit pop guitars of Cast, or if Level 42 decides to play bass like Sid Vicious or just have 2 strings like D.A.D, the fact is that in my youth, discos were never this much fun.

While 'Words' is a more melodic Simple Minds, especially in the guitar department, but could easily be a chorus subset of AOR and westcoast, let Richard Marx cover this, this isn't a ballad it's more like a melodic ride of unlimited vertical uplift, certainly no downside.

I love the pre chorus in 'New York Girl', with the part of 'she', which falls into Mr Mister, this is an all-star rock mix made up of Wang Chung, Spacehog, Angie Aparo, even The Outfield, with a dash of AOR from Rio.

They don't mind adding very strange interpretations to their songs, take the vocal deliveries on 'Jump In The Ocean', all over the place and lyrically a number of steps to the left, yes it may come across a touch pretentious, but to me it works and they come across as an immensely talented four piece. They have come up with their own style.

The guitar hopping is celebrated on the pop thrash of 'This Is It', the nearest current group producing music like this are the Hampshire based rock band, Canterbury, whose album 'Dark Days', I have been planning to add an article on.

ABC and Yazoo are the strange mixture that makes up 'Twenty Seven Days', pumping melodic goodness, and the high point being the aerobatics of the more simple 'We Don't Want No Trouble' which is just so memorable, obviously written in the early hours of the morning outside a Kebab House!

I'm running out of paper, just to say all the remaining tracks work, the funk of 'Lights Of Tokyo', the synth infusion of 'Another Day' is The Cure, The Associates at the onset to be replaced by the mighty Outfield again, that pre chorus raises the boiling point. The springtime simplicity of the acoustic led 'I Won't Let You Down' and the complexity of 'A Little Bit Foreign', which has a Pearl Jam rock roar cut embedded in the soul of it, lyrically more than impressive. The summer blast of 'Under These Skies', to the autumn rush of 'Two Bottles' and the winter chill and reflection of 'This Is Where', gives a taste of all four seasons in just one album.

In Summary
No wonder they jacked it in, if they can record an album full of songs as well as these and fail to sell a million. During a period where they have managed to record a string of 3 albums and have shown they have the ability to compose pop versions of rock classics that could have come from the mind of Butch Walker. These guys are far too good to disappear but The Gentlemen have made their excuses and have departed. To wrap up, there has been some great music from these shores over the last couple of years, with the likes of The Feeling, Canterbury, Ginger along with the actor Matt Berry, I just wished The Gentlemen could have stuck around a little longer, to everyone else be a little more adventurous this year, locate this album and play it, remember as Nazareth mentions on their last album, you have only one set of bones.

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