Theme Switcher
Switch to:


Join us over at the Facebook replacement Join up and become part of 2018's great migration off of Facebook.


Forgotten your password?
Request a new one here.
Site Stats
Album Reviews: 6679
Comments: 16714
Ratings: 4967
Forum Posts: 22735
Articles Hierarchy
Articles Home » 1990 Articles » AC/DC - 1990 The Razors Edge
AC/DC - 1990 The Razors Edge

ALBUM: The Razors Edge
LABEL: East West, Atco
SERIAL: 7567-91413-2
YEAR: 1990


LINEUP: Brian Johnson - vocals * Angus Young - guitar * Malcolm Young - guitar * Cliff Williams - bass * Chris Slade - drums

TRACK LISTING: 01 Thunderstruck * 02 Fire Your Guns * 03 Money Talks * 04 The Razors Edge * 05 Mistress For Christmas * 06 Rock Your Heart Out * 07 Are You Ready * 08 Got You By The Balls * 09 Shot Of Love * 10 Lets Make It * 11 Goodbye And Good Riddance To Bad Luck * 12 If You Dare


The mid to late 80's were admittedly not the greatest time for AC/DC, despite some excellent albums which fell under the radar. The nadir had to be the tour for 1988's 'Blow Up Your Video' when Malcolm Young went on hiatus due to alcohol related issues and was replaced by nephew Stevie Young. However sales for the album were up from 'Fly On The Wall' and the resurgence was completed by 'The Razor's Edge' which returned AC/DC to levels of popularity unseen since the early 80's. The drum stool was vacated once again, this time by Simon Wright, who perplexingly opted to join Dio instead. His replacement was veteran Chris Slade, who image-wise fitted right in with the band with his bald-headed, tank top look. This was the first album where Johnson didn't contribute lyrics, leading to even more ludicrous ones from the Young brothers. This album is another exercise in comedy, but not nearly as diabolical as 'Ballbreaker' five years later.

The Songs
This album exploded during 1990, with a succession of hits that were inescapable that year and into 1991. I can't fathom anyone still being able to stomach 'Thunderstruck' after the overexposure it received through radio and video airings. I'm sure everyone recalls the video, which needs no explanation here and it would agonize me to do so. The song itself can be heard anytime on classic rock radio here in the U.S. and to me the track isn't really indicative of AC/DC, a bit too slick. That said 'Fire Your Guns' is more like the band of old, with a riff that wouldn't have been out of place in the 70's. This is the type of boogie they excelled at, but didn't explore enough in that era. 'Money Talks' was another hit, an anthem once described as being a Slade cast-off, which is quite apt, especially the chanted chorus. The title track is somewhat brooding, providing musical tension quite unlike anything heard from the band before. It's almost sinister, but the riffs really raise this above average, a seemingly forgotten masterpiece. 'Mistress For Christmas' is pure ham, the band delving into one of their best hooks, a classic from the days before political correctness ruined everything. Then again nothing applies to AC/DC. Another tasty rocker is 'Rock Your Heart Out' which again contains the spirit of the 70's, with a great raw guitar sound that should have been explored more.

'Are You Ready' provided yet another hit, but this one's never really convinced me, despite the huge made for radio chorus. It sounds too commercial, even for AC/DC, a bit contrived perhaps. Also quite weak is the pedestrian 'Got You By The Balls' and its almost labored pace. The chorus could be seen as a novelty with the title, but musically it's bland, not one of their better songs. There's a bit more energy on 'Shot Of Love' but even it doesn't sound tough enough for an AC/DC track. The melody is there, but the riffs are slightly weak this time and the lyrics don't have any impact even for humorous reading. 'Let's Make It' is another by the books tracks, nothing worth crowing about and far inferior to most of the 'Blow Up Your Video' tracks. This letdown of a side continues with the filler of 'Goodbye And Good Riddance To Bad Luck' and is only redeemed by the brazen 'If You Dare' where finally the band sounds somewhat like themselves, with a bit of fire and a chorus with guts. It certainly doesn't save what is a weak album by AC/DC standards.

In Summary
After reviewing The Cockney Rejects 'Lethal' I was inspired to see how this stacks up and by comparison it doesn't. This rates for me as one of the weakest AC/DC albums overall, without the spark that usually invigorates their albums. They did what they had to with the singles though and it helped them sell unlimited quantities of the album, although the tour was blighted by a crowd crush that killed three fans in Salt Lake City. I recall crowd trouble when they came to New Zealand in 1991 also, with mobs running rampant after the shows! Typical stuff for that place.. Looking back, this album ended the productive phase of AC/DC's career, with only three albums in the last 24 years, verging on Boston territory with marginally better quality. I suppose they'd achieved everything they needed to by this point and in all reality there's no way they could ever top the Bon Scott years or a few of the Johnson albums. One more album wouldn't hurt though, hopefully banishing memories of 'Black Ice.'

All written content on this website is copyrighted.
Copying of material without permission is not permitted.

#1 | opbrekke on April 24 2014 03:05:43
I cannot let those above comments stand without throwing in my two cents. This is in my opinion one of the best Ac Dc albums in their career. I came to it late, having been disappointed about their 80's offerings to the point of just casting a casual ear towards everything after their masterpiece Back in black. Finally catching up to it i found an album brimming with electric mayhem, every song being memorable and a bonafide classic. None were more suprised than me when i heard it. I assume most fans have heard it, agree or disagreee. I sure as hell count Razors Edge as rousing comeback from the doldrums that preceded it. If anyone has yet to hear it, check it out, it out and make up your own mind.
#2 | dangerzone on April 24 2014 17:58:21
For me this lacks the harder edge of their 1983-88 albums. There's a few classics, but as I wrote in my review compared to 'Flick of the Switch' in particular this album sounds neutered, especially side two.
#3 | spawn71 on April 29 2014 19:27:08
I disagree with the review: this one isn't so bad at all! Not a masterpiece, but not the weakest AC/DC album for sure!
Post Comment
Please Login to Post a Comment.
Rating is available to Members only.

Please login or register to vote.

100% 100% 0% [No Votes]
95% 95% 0% [No Votes]
90% 90% 0% [No Votes]
85% 85% 0% [No Votes]
80% 80% 50% [1 Vote]
75% 75% 50% [1 Vote]
70% 70% 0% [No Votes]
65% 65% 0% [No Votes]
60% 60% 0% [No Votes]
55% 55% 0% [No Votes]
50% 50% 0% [No Votes]
45% 45% 0% [No Votes]
40% 40% 0% [No Votes]
35% 35% 0% [No Votes]
30% 30% 0% [No Votes]
25% 25% 0% [No Votes]
20% 20% 0% [No Votes]
15% 15% 0% [No Votes]
10% 10% 0% [No Votes]
Articles Cloud
Rock And Hyde - 1987 Under The Volcano, Black Sabbath - 1987 The Eternal Idol, X World 5 - 2008 New Universal Order, Cooper, Alice - 1986 Constrictor, Wagner, Jack - 1984 All I Need, Quartz - 1980 Stand Up And Fight, The Violet Hour - 2009 The Fire Sermon, Fist (Canada) - 1979 Round One, Bangalore Choir - 1992 On Target, Black Tora - 2014 Black Tora, Mason, Dave - 1977 Let It Flow, Percudani, Mario - 2010 New Day, Bolton, Michael - 1991 Time Love And Tenderness, Firewind - 2002 Between Heaven And Hell, Morales, Michael - 1999 That's The Stuff
Lynx Warrior UFO The Vu Glider State Of Salazar Lee Ritenour Painter House Of Games Promise The Mc Queen Street Budgie Bloodrock Urban Tale Sweet Rod Stewart Demon Wilshire 2Hot4U Little Caesar The Guess Who ASAP Umberto Tozzi Cain Rising Theodore Ziras Yesterrock Mydra Dallas (Band) EP Robby Valentine Cheryl Dilcher Automatic Man
All Tags