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Articles Home » 1975 Articles » Bowie, David - 1975 Young Americans
 
Bowie, David - 1975 Young Americans



ARTIST: Bowie, David
ALBUM: Young Americans
LABEL: RCA
SERIAL: RS1006
YEAR: 1975
CD REISSUE: Reissue list..

COUNTRY OF ORIGIN:

LINEUP: David Bowie - lead and backing vocals, guitar, keyboards

Musicians: John Lennon - guitar, backing vocals * Carlos Alomar, Earl Slick - guitar * Mike Garson - keyboards * David Sanborn - saxophone * Willie Weeks, Emir Ksasan - bass * Andy Newmark, Dennis Davis - drums * Larry Washington, Pablo Rosario, Ralph McDonald - percussion * Anthony Hinton, Ava Cherry, Diane Sumler, Luther Vandross, Robin Clark, Warren Peace, Jean Finberg, Jean Millington - backing vocals

TRACK LISTING: 01 Young Americans * 02 Win * 03 Fascination * 04 Right * 05 Somebody Up There Likes Me * 06 Across The Universe * 07 Can You Hear Me * 08 Fame * 09 Who Can I Be Now? (bonus) * 10 It's Gonna Be Me (bonus) * 11 John, I'm Only Dancing Again

WEBLINKS: www.davidbowie.com


Background
I'm sure most visitors to this site are more than aware of David Bowie, so I was rather surprised to see that Bowie is not represented here on Glory Daze, so I thought it was time to put that right, as I believe David Bowie to be a true icon of rock music, and an artist who, to this day is still creating challenging and exciting music. Through his many guises, from Ziggy Stardust to the Thin White Duke he constantly reinvents himself and therefore keeps his music fresh and vibrant. Of course, along the way there have been a few wrong turns. 'Let's Dance', although giving Bowie mass worldwide appeal was, for me rather insipid and dreary and the following few albums 'Tonight' and 'Never let me down' did not improve matters, but I digress, as a body of work Bowie's music is nothing short of superb. The album reviewed here is Bowie's 9th album and saw him relocate to America, ditching the Ziggy Stardust/Glam persona and immersing himself in soul music, in particular the Philly sound and recording an album of 'plastic soul', a term coined by Bowie himself, but creating an album full of funky riffs, outstanding vocal arrangements and above all a set of beautiful songs. 'Young Americans' went a long way to seal Bowie's position as a superstar in the US, a few years after he had exploded on the UK scene during the Glam Rock period.


The Songs
Before I go into the songs individually is has to be noted that the majority of this album was recorded live in the studio with the band and Bowie being in the same room and, according to producer Tony Visconti, Bowie's vocals are 85% live and first take making Bowie's performances all the more remarkable. 'Young Americans' kicks off the album with a funky, insistent vibe and a chorus that is infectious. With a busy but not cluttered arrangement the song bursts with energy and with beautifully arranged backing vocals and an urgent vocal from Bowie sets the standard for the rest of the album. 'Win' is the first ballad on the album and features a wonderful soulful vocal from Bowie; with David Sanborn's sax work acting as the perfect foil to the vocals. 'Fascination' is a co write with a young Luther Vandross and again Bowie's vocals are infectious, with a rasp about them (Bowie later admitting this was down to his drug habit at the time) and the band sound so tight with guitarist Carlos Alomar adding funky licks and Sanborn blowing some serious sax. 'Right' slows the pace a little after the high tempo of 'Fascination' with the interplay between Bowie and the backing vocalists being a delight to hear and dominating the track, but with Carlos Alomar adding some tasteful licks, the funkiness is never too far away.

'Somebody Up There Likes Me' is a slow burner of a song with Bowie delivering a stunning vocal and the band coming together to produce a song that is a real ensemble piece. 'Across The Universe' is a cover of the Beatles classic and in truth is rather clunky and awkward and adds nothing to the original. The song is saved somewhat by Bowie's passionate vocal and a nicely understated guitar performance from a young Earl Slick. 'Can You Hear Me?' gets things back on track, another ballad, the string arrangement here is gorgeous and with Bowie and the backing vocalists adding passion this a contender for one of Bowie's best ever songs. 'Fame', a co write with guitarist Carlos Alomar and ex Beatle John Lennon gave Bowie his first number one single in America and is a funk 'piece de resistance' the stabbing guitar riff from Alomar, and strident drumming from Sly And The Family Stone stick man Andy Newmark all adds up to a classic song. The various re issues of the album have included 3 extra tracks recorded at the time but deemed not worthy of inclusion, all three keep up the high standard set by the preceding songs. A dance/disco re working of his own 'John, I'm Only Dancing' is a delight to hear and 'Who Can I Be Now?' is a beautiful torch song and finally 'It's Gonna Be Me', a slow burner with another exquisite Bowie vocal.


In Summary
Although generally not seen as a 'classic' Bowie album, 'Young Americans' sees an artist willing to branch out into otherwise undiscovered territory. On this album I think Bowie has never sounded better, and the band he assembled around him, including the backing vocalists makes this, for me a beautiful album, full of (in particular) stunning vocal arrangements and song writing of the highest calibre and the one Bowie album I return to most of all. I find myself surprised at this as my early teens were dominated by the Glam of 'Ziggy Stardust and 'Aladdin Sane' with all their androgynous swagger and the unforgettable incendiary guitar playing of Mick Ronson. To catch Bowie's state of mind around the time of 'Young Americans' it is definitely worth catching the BBC documentary 'Cracked Actor' to see a artist soaking up America and all its influences, and also a rather fragile character fighting his inner demons.


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This article has been tagged
Tags: David Bowie 
 
Comments
#1 | gdazegod on March 12 2014 21:23:03
You're quite right Malcolm, this is a great LP.
#2 | Eric on March 14 2014 16:21:27
Excellent review Malcom but this is my least favorite Bowie LP and as the title reflects, too American sounding. The experimental 'Aladin Sane' and the 'Berlin' trio (Low, Heroes, Lodger) that followed the above LP were groundbreaking as well as 1980's new romantic stage-setter 'Scary Monsters' and the Eno produced 'Outside' are all recommended too.
#3 | Explorer on March 14 2014 19:28:30
Thank you for that Eric, I totally understand how this album can polarise opinion and everyone seems to have their favourite Bowie period. Early to mid 70`s Bowie are for me are his Golden years..sorry couldn`t resist that. 'Ziggy Stardust' is an album that still seems to define him here in the UK, with so many artists using it as a reference/starting point for their own music careers.
#4 | Eric on March 15 2014 03:51:02
I know. Like Genesis, or even Journey, Bowie fans have favorite periods. Great to see this always creative rock god here...
 
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