Not a member yet?
Click here to register.

Forgotten your password?
Request a new one here.
Latest Comments
Guys she's on Facebook, I...
Maybe Franne was friends ...
Rudy was co-written by Fe...
Great album and excellent...
H.E.A.T - 2017 Redefined ...
H.E.A.T - 2017 Eye Of The...
Keldian - 2017 Blood Red ...
No, I'm changing my mind ...
Code Red - 2017 Heat Of T...
Yeah, I quite liked this,...
Midnite City - 2017 Summe...
Target - 1979 Taxman [yo...
Cher - 1982 Rudy [youtub...
Cher - 1982 Games [youtu...
Revolution Saints - 2017 ...
Revolution Saints - 2017 ...
Black Sabbath - 1989 Devi...
Black Sabbath - 1989 Head...
Neal Schon - 1989 Softly ...
Getting back into this al...
You must login to post a message.

Nick C
21-11-2017 22:43
Here it is - ran out of space https://www.youtub

Nick C
21-11-2017 22:40
Daddy Warbucks - try this on Youtube and download it using Torch browser - it will strip the audio out - let it down the MP4 video and then it will download the audio as aac.

21-11-2017 20:31
Not me but I'll have a hunt for it.

20-11-2017 22:15
Anyone have a rip of the Daddy Warbucks album on Tiger Lily from 76 please?

19-11-2017 09:44
Burn (UK) will have their new album 'Ice Age' released in Japan via Marquee/Avalon on Nov 22. The album is then released worldwide on Jan 19th 2018 via Melodicrock Records.

Articles Hierarchy
Articles Home » 1984 Articles » Iron Maiden - 1984 Powerslave
Iron Maiden - 1984 Powerslave

ARTIST: Iron Maiden
ALBUM: Powerslave
SERIAL: EJ 2042001 / POWER 1
YEAR: 1984
CD REISSUE: 1995, EMI, 7243 8 35872 2 3, plus many more reissues


LINEUP: Bruce Dickinson - vocals * Dave Murray - guitar * Adrian Smith - guitar * Steve Harris - bass * Nicko McBrain - drums

TRACK LISTING: 01 Aces High * 02 2 Minutes To Midnight * 03 Losfer Words (Big 'Orra) * 04 Flash Of The Blade * 05 The Duellists * 06 Back In The Village * 07 Powerslave * 08 Rime Of The Ancient Mariner

WEBLINKS: www.ironmaiden.com

The momentum Iron Maiden had as they prepared to record 'Powerslave' is one I highly doubt heavy metal will ever see the likes of again. Relentless recording and touring was the order of the day, with the band barely taking a breather since the 1980 debut. The thought of a band releasing an album a year and touring almost non-stop is almost alien today, but for Maiden that's what the machine consisted of in the early days. It was paying off too, with the 'Piece Of Mind' tour seeing them become headliners in their own right, on their way to becoming the biggest metal band in the world. This album also represented the first time the lineup was stable for two consecutive records. This was in a way the end of the first era of Maiden and somehow I don't know if they were ever the same again. The whole package of the Egyptian artwork, the huge stage show, the metal itself and the resulting tour represented Maiden at their apex. They conquered not only the U.S., but the world also, in comprehensive fashion. Where was there to go after that? It's hard to say but that momentum was never quite regained.

The Songs
The opening pairing of 'Aces High' and 2 Minutes To Midnight' barely need any explanation, easily the most remembered from the album and still plundered live unmercifully to this day. The combination of the galloping riffs and melody is Maiden at their peak, with '2 Minutes' one of the greatest songs. The guitar work takes on a more serious edge, with the political themed lyrics another departure. But it's the melody which carries it along and in 29 years it hasn't dated one bit, with 'Aces High' cartoon metal by comparison, but exactly what Maiden specialized in. What a shame Harris became too good for this uniquely British style of metal. I've always asked myself the exact intent for 'Losfer Words (Big 'Orra)' which was the first instrumental since the 'Killers' album. It's acceptable, with some highly harmonic guitar work from Murray and Smith and McBrain thrashing his kit, yet somehow unfulfilling. I say this because of the following pairing of 'Flash Of The Blade' and 'The Duellists'. Now these aren't bad songs, but I'd be hard pressed to compare them to the lesser known tracks from 'Piece Of Mind'. The guitar harmonies distinguish 'Flash Of The Blade' and there's some guttural riffing, but it's never moved me except for the guitar work. One of the reasons is the production, which doesn't capture the bands heaviness as well as the last two albums. It's lacking some clout, but at least in those days each Maiden album sounded different from the last, something which ended in 2000. 'The Duellists' melodically has traces of 'Where Eagles Dare' and realistically is one of the most forgotten tracks from those years. It's mildly uninspiring, almost as if the band was rushed while recording, which does seem to be the case when researching the album. Technically it's bland and the first signs of real fatigue on a Maiden album. Harris continues to adapt film plots into his songs here, this one of a 1977 Harvey Keitel film, with Steve displaying his eye for obscurities.

By contrast 'Back To The Village' deserves none of the low profile it has taken on over the decades. This is Dickinson era Maiden at its fiercest and heaviest, more than enough to wipe out a host of pretenders in 1984 (including Judas Priest). This is exactly the kind of song Maiden forgot how to play over the years, with a streetwise tone that once epitomized their attitude and image. More importantly they knew how to get to the point in the early days, with a vitality that's evident in the urgency of this track. This should have become a Maiden staple, but amazingly it eased into the background behind some inferior tracks. The final pairing of songs could have been viewed as daunting with their running time of 20 minutes, but once again they demonstrate the purpose Maiden played with then. The title track is seven minutes, but starts immediately with a chugging riff straight from the metal handbook. It's brutal and it inspired a million copyists, but it's heavy metal through and through. That's the difference. They don't take three minutes to get to the point, with no lush acoustic intros or buildup. It sounds less dated than anything since Dickinson returned in 1999 and that's a critical error of the current lineups somehow vaunted albums. Another case in point is the bands longest song 'Rime Of The Ancient Mariner', which runs at 13 minutes and was probably frowned upon initially in 1984. But again the song begins with another trademark galloping riff, almost belying a song of such length. This is how to construct an epic, pulling in the listener straight away, instead of boring with long winded passages that meander aimlessly. The tangents this track take shames any epic since, sometimes fast, sometimes slow with a ghostly breakdown evoking the famous poem itself. It was certainly ambitious by Harris, but pulled off and executed flawlessly.

In Summary
The story has been told countless times, but Maiden would embark on their longest tour ever following the album's release, with the 'World Slavery Tour' entering metal folklore due to its punishing schedule. I once read an interview with Adrian Smith where he said Dickinson would cower in a corner before shows near the end, so thoroughly burned out by the endless cycle of album, tour, album etc. This could best explain why 'Somewhere In Time' seemed like a massive departure in 1986. For once the band actually took its time recording, incorporating technology into their sound, losing the aura that surrounded the prior Dickinson albums. Maiden couldn't maintain the pace forever and they became somewhat of a shadow of themselves for the rest of the 80's. Only on 'No Prayer For The Dying' and parts of 'Fear of the Dark' did they ever come close again to sounding like the band of 80-84, with everything else falling well short of 'Powerslave' and its peers.

All written content on this website is copyrighted.
Copying of material without permission is not permitted.

This article has been tagged
Tags: Iron Maiden 
#1 | reyno-roxx on April 01 2013 12:02:26
Possibly Derek Riggs' best album cover for Maiden.
#2 | gdazegod on April 01 2013 13:44:42
Yep, agree with you there Dave.. Damn good cover.
#3 | jeffrey343 on April 04 2013 03:48:49
I'll admit that I've always had a hard time keeping going after that perfect pairing of "Aces High" and "2 Minutes To Midnight". Anything after that is just anticlimatic, although it is still good, just greatly overshadowed. I've created a Maiden Mix that starts with those two and is followed by "Hallowed Be Thy Name" from NOTB, and that works well. I must say that I kinda lost interest in Maiden after this album for some reason, although I've started investigating some of their later material.
#4 | englandashes on April 04 2013 12:04:00
Played it last night, best bit?....the creaky of the boat in Rime!
#5 | Pavlos on April 05 2013 22:10:27
To me this one's by far the weakest Maiden album from the 80s. Half of the songs are real killers (aces high, rime of the ancient mariner, powerslave), the other half is very close to being called boring - and thats something that you don't have often when you're atalking about Maiden in the 80s.
#6 | rkbluez on April 07 2013 20:07:38
After the mighty "Piece Of Mind" this one didn't hit me as hard...but it's still got some killer tracks...probably my 3rd favorite Maiden album after...
1. Piece Of Mind
2. Number Of The Beast
3. Powerslave
Post Comment
Please Login to Post a Comment.
Rating is available to Members only.

Please login or register to vote.

100% 100% 0% [No Votes]
95% 95% 0% [No Votes]
90% 90% 0% [No Votes]
85% 85% 100% [1 Vote]
80% 80% 0% [No Votes]
75% 75% 0% [No Votes]
70% 70% 0% [No Votes]
65% 65% 0% [No Votes]
60% 60% 0% [No Votes]
55% 55% 0% [No Votes]
50% 50% 0% [No Votes]
45% 45% 0% [No Votes]
40% 40% 0% [No Votes]
35% 35% 0% [No Votes]
30% 30% 0% [No Votes]
25% 25% 0% [No Votes]
20% 20% 0% [No Votes]
15% 15% 0% [No Votes]
10% 10% 0% [No Votes]
Articles Cloud
Best Of 2010 - 2011 Gdazegod, Yes - 2011 Fly From Here, Regulators, The - 1998 Bar And Grill, Autograph - 1985 Thats The Stuff, Cheap Trick - 1988 Lap Of Luxury, Guess Who, The - 1969 Wheatfield Soul, Twisted Sister - 1983 You Can't Stop Rock 'n' Roll, Return - 1987 To The Top, Enchant - 2002 Blink Of An Eye, Aerosmith - 1987 Permanent Vacation, Verity - 1983 Interrupted Journey, Farcry - 2009 High Gear, UFO - 1995 Walk On Water, Kotzen, Richie - 2002 Slow, Serenity - 2016 Codex Atlanticus
Safire Nightwork Poison Bret Michaels Love Hunter Whitesnake Molly Hatchet Casino Jungle Jon Anderson Yes Coastline Eddie And The Tide Small Wonder Henry Small Lodi Sorrows Whitesnake Live Albums England Dan and John Ford Coley Miles Long EP Deep Purple Rock Candy Records Greg Lake EP Threshold (USA) Dante Fox Hirsh Gardner New England Lordi Foghat Ragged Saints Spina and Sullivan Laban (Denmark) John Norum Kiss Night Ranger
All Tags
Search DDG