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englandashes
17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

Explorer
17-01-2018 18:44
Review of the rather splendid `Hornal` album is in the works too.

gdazegod
17-01-2018 01:57
Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

gdazegod
17-01-2018 01:56
There is a three-part article coming up for E.L.O (Eldorado, A New World Record and Out Of The Blue). Look out for it soon.

Explorer
16-01-2018 08:52
Stoke fans have my commiserations.Und
er Lambert the Villa played some of the most boring, unimaginative football I`ve ever had the misfortune to witness.Relegation
?,yes I`d say so.

gdazegod
16-01-2018 00:59
Stoke City condemned 2 relegation. Who is the new manager? Paul Lambert.

englandashes
15-01-2018 22:09
Agreed Reyno about Clyde Best, further back is the story of Walter Tull which is quite heartbreaking, links to Northampton and lived in Rushden.

englandashes
15-01-2018 22:05
Big loss is Cyrille, only short time at Wolves, but I was at the Peterborough game where he scored the last minute winner, Cyrille and Laurie C, what a team.

reyno-roxx
15-01-2018 22:05
I think many people forget guys like West Ham's Clyde Best whenever the subject of the impact of black footballers in the English game crops up. He was just as good as the West Brom trio years b4

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15-01-2018 19:13
Cyrille was part of the ground breaking so called 'three degrees' who did so much to break down racial barriers in Football back in the late 70's.R.I.P

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Articles Home » 2012 Articles » Issa - 2012 Can't Stop
 
Issa - 2012 Can't Stop



ARTIST: Issa
ALBUM: Can't Stop
LABEL: Frontiers
SERIAL: FRCD 575
YEAR: 2012
SPONSOR: Frontiers Haulix

COUNTRY OF ORIGIN:

LINEUP: Issa(Isabel Oversveen-Martin) - lead vocals * Mario Percudani - guitars * Anna Portalupi - bass * Alessandro Del Vecchio - keyboards, organ * Alessandro Mori - drums

TRACK LISTING: 01 Can't Stop * 02 Power Over Me * 03 Wherever You Run * 04 Just A Wish * 05 If You Ever Fall * 06 Do You Ever Think Of Me * 07 Dream On * 08 Stranded * 09 Heat Of The Night * 10 I Won't Surrender * 11 State Of Love * 12 These Eyes

RATING:

WEBLINKS: www.issasite.com


Background
Isabel Oversveen has been a regular reviewee here at GD since her 2010 debut for Frontiers. I've enjoyed her voice on those two albums and was especially pleased to hear of this 2012 AOR classics and covers CD. This is a significant change for our Norwegian AOR Songstress; one of a number of changes that has occurred over the last few years. Issa has left Norway for the comparatively summery climes of Yorkshire after marrying AOR beau James Martin; yes he of Sugartown and Vega fame. If you've seen the recent EPK for this CD you will have noticed her newly acquired Yorkshire accent shining through. The other major change is the addition of a new band. Well not so new to many of us here. Percudani, Portalupi, Del Vecchio and Mori have also provided backing for Mitch Malloy and French sisters Chasing Violets in recent weeks. Issa flew over to Milan to undertake sessions which resulted in a specially selected set of AOR memorabilia being recorded.


The Songs
The album title is named after the track found on that legendary Aviator album from 1986, given a 21st century update with female vocals taking over. The musical interpretation from our Italian friends sounds pretty damned damn good to my ears, full and ripping.

Second stop is Atlantic's 1994 AOR affair 'Power Over Me', which comes completes with its totally recognisable chorus. Surely memorable for that reason.

I love the faster-paced pulsing version of the Regatta track 'Wherever You Run', more so than the 1989 original which was pretty good too. Portalupi and Mori storm the house down with an incredible back-end to this great version, though Issa's vocals are the hundreds and thousands over the top of a superb rendition.

'Just A Wish' is a cover of the 21 Guns track from their 1992 debut CD 'Salute'. Issa's vocal performance is very close to Tommy Laverdi's, and good to hear it updated, so much so that 'Salute' is on my play-list this week.

Trying to emulate Tone Norum's 'If You Ever Fall' was always going to be a big ask. The original is one of the best slices of female AOR ever, but Issa and her band give it a go nonetheless. De Vecchio uses the organ rather than clean and linear synths, he uses the same patterns that Seal used on his 1991 hit 'Crazy'.

'Do You Ever Think Of Me' was first heard on Unruly Child's 1998 CD 'Waiting For The Sun'. A brooding track with a hint of Jeff Scott Soto in the delivery.

Anytime I hear anything about the Canadian band BLVD I get excited. So when Issa gave 'Dream On' an update on this CD, the excito-meter went through the roof. This version is a rollicking version I have to say. Perhaps not as clinical in delivery as the original but I'm happy nonetheless.

The version of 'Stranded' covered here is the 1991 Tangier one, not the Jamie Kyle/Heart one. This is a slow-mid tempo southern styled ballad which suits Mario Percudani's mostly bluesy style to a tee. Issa's voice is surprisingly good too given the change in style and arrangement.

There have been many songs titled 'Heat Of The Night' over the years. The version that Issa tackles was first heard on Worrall's 1991 album. This is very smooth AOR true to the original version. I played Issa's version side by side with the original and both come out smelling roses.

'I Won't Surrender' is a version of Steelhouse Lane's imperious track. An absolute 90's favourite, and exceptionally difficult to cover to the same level of the original but admirable for sure.

'State Of Love' was first heard on Mark Free's 'Long Way From Love', a bold move covering one of AOR's greatest singers but Issa's rendition is fantastic. Great synth work from Del Vecchio and the arrangement is one for the books.

'These Eyes' is another track taken from 21 Guns 'Salute' CD. The pitch is slightly higher than Tommy Laverdi originally sang it, plus this cover is slightly fuller in sound. So all guns blazing then!


In Summary
Issa and her new team have delivered a solid set of renditions which are kept close to the originals as possible. This is one album I'll be playing for a few weeks yet. I think the proof will be if/when this team can play these songs live. I'm certain that it will be amazing to see live, witnessing such songs as 'Dream On', 'Can't Stop' etc. This CD cements Issa's reputation within the melodic rock/AOR genre, and hopefully we can see other women taking up the challenge to join this elite group.


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Comments
#1 | gdazegod on November 25 2012 13:49:56
YouTube Video:
#2 | gdazegod on November 25 2012 13:53:13
YouTube Video:
#3 | george_the_jack on November 26 2012 14:04:35
Very nice album and an even nicer collection of songs. Mr Perugino knows how to please the most demanding fan of the genre and it is proven once again. Issa provides some great vocals and the arrangements are top notch from all the musicians involved. Especially, Percudani's guitar work is a highlight. I - like you George- caught myself playing this very much during the last weeks and that says something regarding the consistency of an album. And something out of the record; I thought 'Surrender' was originally played by Tower City. At any case, Steelhouse Lane rendition is far superior.
#4 | gdazegod on December 11 2012 13:01:16
I've been listening to the REGATTA album a lot lately (on the train), but this ISSA version of 'Wherever You Run' is a fantastic rendition.. killer in fact! One of my fave tracks of 2012.
#5 | jeffrey343 on January 20 2013 03:43:03
One of my favorite 2012 albums. I've liked her first two, but this one really works well for me. Probably because of the variety of songs from other artists. I was familiar only with "Surrender", and I found the Aviator version of "Can't Stop". So the issue of samey-ness on many albums is not a problem here. I do like the organ on two of the songs - nice touch. I'll have to track down some of the originals.

I do think the production is a bit less clean than I'd like. Not bad by any means, but I've heard recent albums with a little clearer sound. I just have the MP3s I bought from Rhapsody; maybe the physical CD is better.
 
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