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17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

17-01-2018 18:44
Review of the rather splendid `Hornal` album is in the works too.

17-01-2018 01:57
Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

17-01-2018 01:56
There is a three-part article coming up for E.L.O (Eldorado, A New World Record and Out Of The Blue). Look out for it soon.

16-01-2018 08:52
Stoke fans have my commiserations.Und
er Lambert the Villa played some of the most boring, unimaginative football I`ve ever had the misfortune to witness.Relegation
?,yes I`d say so.

16-01-2018 00:59
Stoke City condemned 2 relegation. Who is the new manager? Paul Lambert.

15-01-2018 22:09
Agreed Reyno about Clyde Best, further back is the story of Walter Tull which is quite heartbreaking, links to Northampton and lived in Rushden.

15-01-2018 22:05
Big loss is Cyrille, only short time at Wolves, but I was at the Peterborough game where he scored the last minute winner, Cyrille and Laurie C, what a team.

15-01-2018 22:05
I think many people forget guys like West Ham's Clyde Best whenever the subject of the impact of black footballers in the English game crops up. He was just as good as the West Brom trio years b4

15-01-2018 19:13
Cyrille was part of the ground breaking so called 'three degrees' who did so much to break down racial barriers in Football back in the late 70's.R.I.P

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Articles Home » 1979 Articles » Stingray - 1979 Stingray
Stingray - 1979 Stingray

ARTIST: Stingray
ALBUM: Stingray
LABEL: Nitty Gritty/Carerre
SERIAL: NGC 1023, CAR 38-127
YEAR: 1979


LINEUP: Dennis East - vocals * Mike Pilot - guitars, vocals * Allan Goldswain - keyboards * Danny Anthill - keyboards, flute * Eddie Boyle - bass * Shaun Wright - drums

TRACK LISTING: 01 Better The Devil You Know * 02 Where Do We Go From Here * 03 Lovesaver * 04 Whole Lotta Fire * 05 Lucy * 06 Breakdown * 07 The Man In My Shoes * 08 How Much * 09 Hard Headed Loner * 10 Gonna Keep My Head * 11 Better The Devil You Know (extended)

Next to Trevor Rabin, Stingray are without doubt South Africa's shining light on the melodic rock stage, and even some twenty or so years later, they are still mentioned and remembered by many fans and collectors alike. Stingray originated from Johannesburg, and some of their members had incarnations in bands before this. East, Pilot and Boyle for instance were previously with The Rising Sons, a typically seventies pop bubblegum band, who scored minor success in their native land with a number of songs making the charts. However, they change the game plan completely with Stingray, with a heavy influence from what was going on Stateside at the time, naming Queen, Journey and Boston as chief culprits.

The Songs
The debut album initially released locally on the Nitty Gritty label, is without doubt an enjoyable melodic rock romp, with an emphasis on effective and memorable choruses. 'Better The Devil You Know' is a good introduction, a neat chorus, and some forceful instrumentation. 'Where Do We Go From Here' is guitar oriented AOR featuring a series of handclaps towards the end a la Boston's 'Long Time'. If there is a classic track on this album it would undoubtedly be 'Lovesaver', the punctuated approach with stabbing piano lines, and Mike Pilot's guitar sound a la Brian May, being memorable aspects of it. Dennis East's vocals really power up on the slower track 'Lucy'. Man, this guy can sing! Other highlights include the soaring 'How Much', the punchy 'Breakdown', and the infectious choruses of 'Man In My Shoes' and 'Gonna Keep My Head Together'.

In Summary
Being South African, it is not reflective of any local influence. It is purely a big label sounding release which ordinarily you'd think came out of the US production houses. So congratulations for doing so well. The band followed this up one year later with 'Operation Stingray', another worthwhile album to obtain. On that one though, their lineup had changed slightly, with the departure of both Goldswain and Wright. The Carerre label gave this band some recognition at least (as they did with Dokken), with their albums being released in Europe at the time, though by then, the band were already on the verge on folding. Finally, a big thanks goes to Luc for finally enabling me to hear this after so many years of trying to track it down. I personally think it was worth it.

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#1 | george_the_jack on September 15 2009 02:37:43
The vocalist is reminding me of the 'immortal' Brad..Good production and quality arrangements.A very overlooked Pomp/AOR GEM that certainly worths the attention
#2 | gdazegod on September 15 2009 02:56:44
Stingray sure got a lot of comparisons to Boston. Pretty deserved too.
#3 | george_the_jack on September 15 2009 03:04:43
Yeap George.Truly a shame that they have never been known around the world widely.At least, they would deserve a special place among the 'world of pompers'...Great
#4 | Eric on September 15 2009 03:11:39
'The Man In My Shoes' got a lot of airplay around the same time as Touch- 'Don't You Know What Love Is' on local radio, at least in my area. I know because of this song I bought the LP, but without tour support it's not a surprise Stingray never had a chance outside S.A and I'm sure the political atmosphere played a big part....
#5 | trillion1999 on October 10 2011 23:20:11
I love Lovesaver! Those lyrics are part of the appeal as well for me.Full of longing and melancholy.Similar feel (especially in the lyrics) in this tune as with Bright Night Lights(Trillion), Searching from Explorer Suite.So glad I bought the CD and found one more timeless song to love.Love the cover as well.Hopefully I will get to hear the rest by Stingray one love
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