Theme Switcher
Switch to:


Join us over at the Facebook replacement Join up and become part of 2018's great migration off of Facebook.


Forgotten your password?
Request a new one here.
Site Stats
Album Reviews: 6679
Comments: 16714
Ratings: 4967
Forum Posts: 22735
Articles Hierarchy
Articles Home » 2008 Articles » Metallica - 2008 Death Magnetic
Metallica - 2008 Death Magnetic

ARTIST: Metallica
ALBUM: Death Magnetic
LABEL: Warner Bros
SERIAL: 508732-2
YEAR: 2008


LINEUP: James Hetfield - vocals, guitar * Kirk Hammett - guitars * Robert Trujillo - bass * Lars Ulrich - drums

TRACK LISTING: 01 That Was Just Your Life * 02 The End Of The Line * 03 Broken, Beat And Scarred * 04 The Day That Never Comes * 05 All Nightmare Long * 06 Cyanide * 07 The Unforgiven III * 08 The Judas Kiss * 09 Suicide And Redemption * 10 My Apocalypse



Unfairly and critically panned, 2003's 'St Anger' was a return to Metallica's speed driven 80's days, even if differing in sound from that halcyon period. Five years later and that non-problem has been remedied in no uncertain terms with a true return to the sound that made Metallica metal legends. In other words thrash on a large scale, scathing riffs, speed, lengthy compositions and for the real purists an instrumental running almost ten minutes. Rick Rubin appears to have captured the raw essence of the bands sound with a more refined production than 'St Anger', but one which seamlessly blends a mixture of all Metallica eras, with discernible nods to 'Kill 'Em All' to 1991's self titled monster. Most importantly this is heavy. Devastatingly so.

The Songs
At a running time of nearly 80 minutes this is an epic foray. But not once did 'Death Magnetic' fail to lose me despite the plethora of seven minute plus tracks. 'That Was Just Your Life' reverts back to the much h'allowed days of classic Metallica openers such as 'Battery' and Blackened', with a slow beginning, building pace before launching into vintage thrash segments, with Hammett and Hetfield's riffing reaching mammoth proportions. Hammett's soloing recalls the 'Master Of Puppets' era, no doubt appeasing those who loathed the lack of solos on 'St Anger'. The blueprint for the album set, 'The End Of The Line' follows in similar suit, with some of the riffs at the start echoing 'Load' before quickly dissolving into a 1991 haze except with speed. This track especially reaches into all of the bands past sounds. Critics will be silenced by the brute force of 'Broken, Beat And Scarred', delving into some vicious landscapes through twisted, distorted and ugly riffs and tangents which eclipse Slayer even. 'The Day That Never Comes' toys with 'Fade To Black' like effectiveness, but soon develops into a thrasher with NWOBHM overtones and shredding riffs I haven't heard from Metallica in 20 years. Galloping along afterwards is 'All Nightmare Long', offering riffs from the thrash gutter and doses of speed almost unfathomable.

'Cyanide' is a combination of 'Reload' and 'Metallica', heavier naturally, but always with that intangible sense of melody which is one of the reasons Metallica succeeded to begin with and what continues to set them apart. 'The Unforgiven III' continues the saga which began in 1991 and continued in 1997, again in the heavy ballad style of its predecessors but not imitating them at all. Hetfield is in fine voice and Metallica continues to excel with this melodic approach, 17 years later. Flirting with bursts of speed is 'The Judas Kiss', notable for Hammett bending his six strings in every possible direction. This leads into ten minute instrumental 'Suicide And Redemption', which truly proves Metallica's intent to capture the mindset of the earlier years, when they made an art form out of this with 'Call Of Ktulu, 'Orion' and 'To Live Is To Die. This could easily be 1988 with the guitar tone used, not to mention the intense build up deserving of such a track. All four members are worthy or praise, with Ulrich impressing behind the kit. Closing thrasher 'My Apocalypse' runs only five minutes and is pure pandemonium, raging forth maniacally, to the point where this could pass for a lost track from 'Kill 'Em All'. Hard to believe? Believe it. All out thrash!

In Summary
I recall disgruntled fans begging Metallica to return to this sound when 'St Anger' was released. That was not enough for some and if this isn't then you can hardly call these listeners 'fans'. Metallica have sealed the deal with 'Death Magnetic'. This is the sound which took a 20 year break to a large degree, but has returned fiercer than ever. For a group of men well into their 40's it is a major accomplishment. This serves to remind why the glut of thrash bands were always second division. Even in 2008 the remaining likes of Testament and Exodus still sound second rate to Metallica. I had to shake my head in disbelief at this onslaught. It's still nice to be blown away occasionally. It takes true masters to do it.

All written content on this website is copyrighted.
Copying of material without permission is not permitted.

#1 | george_the_jack on September 09 2008 18:11:44
This is certainly a 'back to the roots' release for Metallica. After two or three spins I must admit that this album reminds me strongly the old legacy of the band and their glorious 80's and early 90's era....Surely, If I was running my teen age, I would have been blown away.....
#2 | gdazegod on September 11 2008 03:21:28
Video review from NZ's TV3, featuring Rip It Up magazine editor Scott Kara..

[url=]Click here..[/youtube]
#3 | jeffduran on September 11 2008 04:30:37
Couldn't agree more Alun....Like it or not they deliver in spades here. This is what the fans want and if they can't admit it-F**K em all!
#4 | dangerzone on September 24 2008 04:50:49
Too right there Jeff. Some of the comments I've read from two bit internet geeks are simply ludicrous. I've listened to this every day since I got hold of it, keeps getting better for me.
Post Comment
Please Login to Post a Comment.
Rating is available to Members only.

Please login or register to vote.

100% 100% 0% [No Votes]
95% 95% 0% [No Votes]
90% 90% 0% [No Votes]
85% 85% 0% [No Votes]
80% 80% 0% [No Votes]
75% 75% 0% [No Votes]
70% 70% 100% [1 Vote]
65% 65% 0% [No Votes]
60% 60% 0% [No Votes]
55% 55% 0% [No Votes]
50% 50% 0% [No Votes]
45% 45% 0% [No Votes]
40% 40% 0% [No Votes]
35% 35% 0% [No Votes]
30% 30% 0% [No Votes]
25% 25% 0% [No Votes]
20% 20% 0% [No Votes]
15% 15% 0% [No Votes]
10% 10% 0% [No Votes]
Articles Cloud
Genesis - 1978 .. And Then There Were Three, Best Of 2011 - 2012 (Reyno Roxx), Legs Diamond - 1999 Uncut Diamond, Astral Doors - 2003 Of God And The Father, Baby Grand - 1978 Ancient Future, Reverence - 2012 When Darkness Calls, Doucette - 1981 Coming Up Roses, Ring Of Fire - 2003 Dreamtower, Cloudscape - 2005 Cloudscape, Kix - 1991 Hot Wire, Cars, The - 1978 The Cars, Allen/Lande - 2005 The Battle, Rush - 1984 Grace Under Pressure, Statetrooper - 1987 Statetrooper, Ritenour, Lee - 1984 Banded Together
Sharon O Neill Glad Raven The Machine EP Sweet Anvil Queen Eva Hugo Unicorn Voodoo X Jean Beauvoir Age Of Reflection EP Martee Lebow Lynx Ozzy Osbourne Rush Lynyrd Skynyrd Best Of 2009 Secret Sphere Foreigner Firenote EP Rattlebone Moonland Sweet Comfort Band Spin Gallery Geishas In Vitro Best Of 2009 Blackberry Smoke Iconic Eye Ava
All Tags