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17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

17-01-2018 18:44
Review of the rather splendid `Hornal` album is in the works too.

17-01-2018 01:57
Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

17-01-2018 01:56
There is a three-part article coming up for E.L.O (Eldorado, A New World Record and Out Of The Blue). Look out for it soon.

16-01-2018 08:52
Stoke fans have my commiserations.Und
er Lambert the Villa played some of the most boring, unimaginative football I`ve ever had the misfortune to witness.Relegation
?,yes I`d say so.

16-01-2018 00:59
Stoke City condemned 2 relegation. Who is the new manager? Paul Lambert.

15-01-2018 22:09
Agreed Reyno about Clyde Best, further back is the story of Walter Tull which is quite heartbreaking, links to Northampton and lived in Rushden.

15-01-2018 22:05
Big loss is Cyrille, only short time at Wolves, but I was at the Peterborough game where he scored the last minute winner, Cyrille and Laurie C, what a team.

15-01-2018 22:05
I think many people forget guys like West Ham's Clyde Best whenever the subject of the impact of black footballers in the English game crops up. He was just as good as the West Brom trio years b4

15-01-2018 19:13
Cyrille was part of the ground breaking so called 'three degrees' who did so much to break down racial barriers in Football back in the late 70's.R.I.P

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Articles Home » 1974 Articles » Montrose - 1974 Paper Money
Montrose - 1974 Paper Money

ARTIST: Montrose
ALBUM: Paper Money
LABEL: Warner Bros
YEAR: 1974
CD REISSUE: 1990, Warner Bros, WB-2823-2


LINEUP: Ronnie Monstrose - guitars, vocals * Sammy Hagar - vocals * Alan Fitzgerald - bass, keyboards, synthesizer * Denny Carmassi - drums

TRACK LISTING: 01 Underground * 02 Connection * 03 The Dreamer * 04 Starliner * 05 I Got The Fire * 06 Spaceage Sacrifice * 07 We're Going Home * 08 Paper Money

It's hard to argue the merits of the first Montrose album released a year before this one. A virtual HM freight train, it stands tall and proud among the HM genre out of America, when all the rage was happening over the other side of the Atlantic with Led Zeppelin, Deep Purple and Black Sabbath dominating the scene. In typical 'sophomore syndrome', the jury was out until Ronnie and the boys delivered album number two so that comparisons could be made to the first. I think history will show that 'Paper Money' doesn't quite live up to the expectation or promise of the debut, but it's not a throwaway either. A few changes second time around. Bill Church departed the bass playing role, to be picked up by Alan Fitzgerald. The sound changed slightly too. I didn't engage that well when I first bought this LP back in the 70's if I remember correctly. I read somewhere recently that others felt similarly disengaged, and their theory was.. purely to do with the order of the track listing. If it had been rejigged in a slightly different way, then it may have produced different results.

The Songs
The opener 'Underground' features a lot of flanger flavoured guitar from Ronnie. The overall feel is more mainstream rock rather than the OTT sound we heard on the debut. Probably not a good song to welcome in fans of the band, but listening to this thirty years later, the song is not too bad actually. The Rolling Stones penned 'Connection' is obvious when listening to it. The bluesy swagger with piano parts all sound very British to me. 'The Dreamer' is much more representative of the Montrose sound, a stomping back-end, edgy guitar riffs and a keyboard interlude provided by Fitzgerald. 'Starliner' is an instrumental track (just in case any Foreigner fans were thinking otherwise). There are a spate of goofy sci-fi effects contained within, something Ronnie would pursue musically in a decades time. There is a definite Led Zeppelin passage part way through that'll have you wondering.. Without doubt, the best track on the album is the sensational hard rocker 'I Got The Fire'. It's so good, it's since been covered by many other acts as a tribute to a great song, the most notable being Axe's version on their 1982 'Offering' LP. 'Spaceage Sacrifice' is a slow blues based burner, simple in structure, but convincing on the delivery. The solo section is very cool, reminding me of Ronnie's future work with Gamma. Ronnie sings lead on 'We're Going Home', he sings in a near spoken word context similar to Phil Collins, the song overall is very restrained and poignant. The album finishes up with the hard rocker title track 'Paper Money' which sounds uncannily like The James Gang.

In Summary
The feeling in the industry at the time, was that Ronnie (being the maverick that we was) wasn't interested in repeating the success of the first record. You can tell with 'Paper Money' that different elements were included to mix it up. Certainly 'Connection', 'Starliner' and 'We're Going Home' prove that point with their obvious differences. Unfortunately, the Montrose/Hagar partnership would cease with this album, Hagar departing for a solo career with Capitol Records. Montrose (the band) would release two more albums during 1975 and 1976, but the magic of the band was never truly recreated beyond 1973 suffice to say.

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#1 | rostoned on July 30 2008 18:06:41
If the debut IMHO is a 10 this one is a 6, not more.
#2 | reyno-roxx on July 31 2008 08:39:34
Despite the absence of Hagar, 'Warner Brothers Presents..' and 'Jump On It' were pretty decent albums. They tend to be seriously overlooked, but they have some great songs on both, especially the latter. I felt Ronnie smoothly progressed from the material on 'Jump On It' into what he turned out with Gamma.
#3 | sabace on August 28 2009 14:01:28
the tracks I GOT THE FIRE, PAPER MONEY and SPACEAGE SACRIFICE are excellent!
#4 | TheSubhuman on November 28 2011 17:04:39
I have loved this album right from the day it came out and would die for a Rock Candy edition. That would be a vote of 1 then....oh well.
#5 | dude24 on February 16 2014 17:51:55
Would have been interesting if Sammy stuck around. I agree that 'WBP' and 'JOI' were good albums, regardless. I will never forget seeing them perform 'IGTF' and 'PM' live on The Midnight Special.
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