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Articles Home » 1988 Articles » Vixen - 1988 Vixen
Vixen - 1988 Vixen

ALBUM: Vixen
LABEL: EMI/Manhattan
SERIAL: CDP-7-46991-2
YEAR: 1988
CD REISSUE: 2006, Toshiba EMI (Japan), TOCP-67841


LINEUP: Janet Gardner - vocals * Jan Kuehnemund - guitars * Share Pedersen - bass * Roxy Petrucci - drums

TRACK LISTING: 01 Edge Of A Broken Heart * 02 I Want You To Rock Me * 03 Cryin' * 04 American Dream * 05 Desperate * 06 One Night Alone * 07 Hell Raisers * 08 Love Made Me * 09 Waiting * 10 Cruisin' * 11 Charmed Life


By the time Vixen's debut was released in 1988, the group had endured numerous line up changes and a slime ball scheme by EMI to give The Bangles a run for their money. Vixen's origins actually go back as far as 1980 when Jan Kuehnemund formed the group while still in high school. Vixen managed to churn out an EP on Word Records in 1983 and appear on screen the following year as 'Diaper Rash' in the teen sex flick 'Hardbodies'. Eventually Vixen became a fixture on the LA rock scene playing such haunts as the Troubadour as female counterparts to bands like Poison and Odin. A revolving door of leather clad members filled the band's boots until the final line-up for recording was solidified. Share Pedersen and Roxy Petrucci joined the fold in 1987 and caught a small break in the film 'The Decline Of Western Civilization II: The Metal Years'. In 1988, the band were signed to EMI and began recording their debut. EMI originally planned to have Richard Marx to take the gals under his wing and turn them out as pop/metal Bangles. EMI's plan failed as the group looked and sounded nothing like the latter, eventually unintentionally competing with the pop/metal pretty boy bands who were in vogue at the time on MTV. Marx still managed to write a couple songs for the gals as did a number of the AOR elite.

The Songs
'Edge of a Broken Heart' - written and produced by Marx and Fee Waybill of The Tubes. That extended opening airy synth fill, followed by decent guitar-work by Jan Kuehnemund and Janet Gardner chops makes this a stand-out cut.

'I Want You to Rock Me' - sports the same booming drum motif of Kiss' 'I Love It Loud'.. Paint by numbers and plainly generic hard rock is saved by an infectious hook and chorus.

'Cryin' - those familiar with Jeff Paris' version on 'Wired Up' must of had a hard time with this. Although a modest hit for the band, the overall sound is is thin and weak. Even the keys and Gardner's half way decent voice can't save this one IMHO.

'American Dream' - A John Butcher penned track features some great fretwork by Kuehnemund here.

'Desperate' - An acoustic intro sets the tone for another stand out cut. Good female fronted AOR.

'One Night Alone' - another Paris remake but this time things are slightly better. Decent AOR with Gardner's voice on the forefront.

'Hell Raisers' - Might've worked well as a live cut but it's lyrical bravado makes this laughable and mere filler.

'Love Made Me' - The third single and another stand-out IMO. Good AOR and perhaps Vixen's better moments although the songwriting team of John Keller, Marcy Levy, Michael Caruso were brought in.

'Waitin' - actually written by Kuehnemund and Gardner and it's evident although musically the group overcompensates for the weak lyrics.

'Cruisin' - is another cut written by the band and by far the most hard-driving song of the bunch, built around the fast-paced drumming by Roxy Petrucci of Madam X fame. A good barometer of what Vixen might of sounded like if they would of been an independent entity a la Phantom Blue.

'Charmed Life' - another burner and remake from Jeff Paris 'Wired'. Decent although I prefer the original.

In Summary
'Vixen' sold millions thanks in part to the singles 'Edge Of A Broken Heart', 'Cryin', and 'Love Made Me' (which enjoyed heavy exposure on MTV). Vixen spent the next year supporting acts such as Ozzy Osbourne, The Scorpions and Bon Jovi as well as headlining their own shows. Vixen returned to the studio in late 1989 to record their follow up 'Rev It Up'. Vixen's second album had its share of catchy, infectious material but wasn't the big seller EMI was hoping for. It wasn't until 1998's grunge addled 'Tangerine' on CMC International that Vixen recorded a third album. After the release of the latter, Roxy's sister Maxine Petrucci was brought in to play bass but Vixen were eventually sued by Kuehnemund who had left the group. In 2001, Vixen was reformed by Kuehnemund with a line-up consisting of herself, Janet Gardner, Roxy Petrucci and new bassist Pat Holloway. Unfortunately half way through a US tour disagreements caused the band to split up with only Kuehnemund remaining. Kuehnemund quickly recruited vocalist Jenna Sanz-Agero, bassist Lynn Louise Lowrey and drummer Kat Kraft to complete the tour. In 2004, VH1 approached the four members of the 'classic' line up to appear on the show 'Bands Reunited'. Following the broadcast of the show EMI re-released the first two Vixen albums. Both are worth investigating however 1998's 'Tangerine' and 2006's 'Live and Learn' are absolute rubbish!!!

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#1 | jeffrey343 on January 01 1970 01:00:00
Thanks for writing this, Jeff. I did manage to hear 'Edge Of A Broken Heart' back in 1988, but somehow I missed out on the whole album until a couple of years ago. I saw the 1984 version of Vixen when they came to my rather small college in fall 1984 for a free concert. I had seen 'Hardbodies' before that and had heard of them from that movie. This is definitely a good album. Janet Gardner's voice is a bit thinner than many of the other women we admire (Lee Aaron, Darby Mills, Ann Wilson, and the like), but it is not at all a poor voice for this type of music. I do think there was a bit of an identity crisis with Vixen - they were marketed as more of a hair-metal act whereas their sound (for the most part) was more of the hard rock / AOR type, like Heart or Lee Aaron.

I just ordered the Jeff Paris CD that has three of these tunes, so I can't make the comparisons just yet. I like the Vixen versions quite a bit, though.

Their next album, 'Rev It Up', is even better than this one. I'll admit that 'Tangerine' is pretty weak, but 'Live And Learn' is fairly OK (although definitely not as good as the first two).
#2 | DEMONAOR on July 21 2008 10:15:40
Good Album
#3 | jefflynnefan on July 24 2008 01:15:16
This is a pretty good album by a all-female group. They do a good job on the Jeff Paris songs although I prefer Jeff's versions. I think if your into female bands this is a must have. And they all are a lot easier on the eyes than L7. Didn't they tour with Rainbow in Europe? I bet that was interesting. I think Crucified Barbara did a live version of 'Edge'.
#4 | gdazegod on July 24 2008 02:07:57
No, it wasn't Rainbow they toured with. They toured Germany supporting Deep Purple in 1989, after doing support stints with The Scorpions and Billy Idol.
#5 | eirrom on July 31 2008 20:54:53
This album just feels so cheezy (I own it too!) but it just felt assembled, using so many outside writers. I like 'Love Made Me'. I always though that was a very catchy song, but I thought 'Cruisin' was just crap.
#6 | gdazegod on October 23 2008 13:05:11
'Assembled' is a good word there Eirrom! And like you, I own a copy of this CD too! secret
#7 | Eric on April 08 2011 12:33:17
Actually the girls were from Minnesota and played locally for a couple years before moving to el-Lay. For anyone interested I have a Vixen photo taken in Minnesota somewhere in 1979-80 with Steve Tassler and Matt Stewart of Starcastle posted on my Facebook page. Vixen opened for SC a few times...
#8 | super80boy on February 14 2016 00:54:37
Along with the album's singles, I've always been drawn to 'American Dream' with that catchy riff arrangement and the heavier rocker 'Cruisin'. Wish the girls had rocked out a bit more to mix things up, but all and all - a classy effort.
#9 | englandashes on December 21 2017 22:35:27
Watching Madam X, High in high school video, noticed that Peter Dinklage, Tyrion Lannister from Game of Thrones appears. Thatís up there with the late, great Rik Mayall appearing in a Lionheart video
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