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englandashes
17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

Explorer
17-01-2018 18:44
Review of the rather splendid `Hornal` album is in the works too.

gdazegod
17-01-2018 01:57
Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

gdazegod
17-01-2018 01:56
There is a three-part article coming up for E.L.O (Eldorado, A New World Record and Out Of The Blue). Look out for it soon.

Explorer
16-01-2018 08:52
Stoke fans have my commiserations.Und
er Lambert the Villa played some of the most boring, unimaginative football I`ve ever had the misfortune to witness.Relegation
?,yes I`d say so.

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16-01-2018 00:59
Stoke City condemned 2 relegation. Who is the new manager? Paul Lambert.

englandashes
15-01-2018 22:09
Agreed Reyno about Clyde Best, further back is the story of Walter Tull which is quite heartbreaking, links to Northampton and lived in Rushden.

englandashes
15-01-2018 22:05
Big loss is Cyrille, only short time at Wolves, but I was at the Peterborough game where he scored the last minute winner, Cyrille and Laurie C, what a team.

reyno-roxx
15-01-2018 22:05
I think many people forget guys like West Ham's Clyde Best whenever the subject of the impact of black footballers in the English game crops up. He was just as good as the West Brom trio years b4

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15-01-2018 19:13
Cyrille was part of the ground breaking so called 'three degrees' who did so much to break down racial barriers in Football back in the late 70's.R.I.P

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Articles Home » 1989 Articles » Black Sabbath - 1989 Headless Cross
 
Black Sabbath - 1989 Headless Cross



ARTIST: Black Sabbath
ALBUM: Headless Cross
LABEL: IRS
SERIAL: EIRSACD 1002
YEAR: 1989
CD REISSUE: 1999, EMI, 07243 5 21299 2 8

COUNTRY OF ORIGIN:

LINEUP: Tony Martin - vocals * Tony Iommi - guitars * Laurence Cottle - bass * Geoff Nicholls - keyboards * Cozy Powell - drums

TRACK LISTING: 01 The Gates Of Hell * 02 Headless Cross * 03 Devil And Daughter * 04 When Death Calls * 05 Kill In The Spirit World * 06 Call Of The World * 07 Black Moon * 08 Nightwing

WEBLINKS: www.black-sabbath.com


Background
There are more than a few Sabbath fans here at G-DAZE. Many are divided between the three key eras of the band: the first being the Ozzy years, the second being the Ronnie James Dio years, the third being the Tony Martin years. For this review, I'll exclude the Ian Gillan and Glenn Hughes contributions, because they were never in the band long enough to make a huge impact. Let's wind the clock forward to 1989, with this album 'Headless Cross' album. It would be the second album featuring singer Tony Martin, and the first to feature drum monster Cozy Powell. The band, well known for their obsession with things to do with occult, went for the jugular on this album. The satanic and occultish themes were well covered on just about every song. Despite such leanings, ' Headless Cross' is an incredible of melodic metal from The Sabbs, the production huge, the playing from all involved goes beyond the call. For me personally, this is one album I call on regularly in my CD player - despite the lyrical content.. the satanic and occult themes do nothing for me, I prefer to focus on the overall package.


The Songs
The Gates Of Hell - This is a synth based intro that has been used by the band in many of their shows ever since.

Headless Cross - The title track, this one is a slow burner, that builds up energy with Cozy Powell's big booming drums. The imagery of this song has everything you would expect from Sabbath. Just watch the video below!

Devil And Daughter - One of my fave Sabbs tracks ever, this one is furiously uptempo, the hard driving rhythm section laying a platform for Tony Martin to sing about a girl you certainly don't want to bring home to meet the parents! lol!

When Death Calls - This one starts out slow and tender, with a slow near funeral like delivery - that is until the chorus kicks in, with Tony Iommi's riffs pouring molten Sabbs riffs all over the digital mix. The solo section accelerates the tempo threefold, Powell driving the beat hard, following Martin's soaring vocal and guest Brian May of Queen laying down guitar solos alongside Iommi.

Kill In The Spirit World - A different lyrical proposition, 'Kill In The Spirit World' builds nicely, maintaining melody all throughout, with some interesting musical passages amid Iommi's doom-laden guitar riffs which describe the mood and setting of the song perfectly.

Call Of The Wild - This one is one of the straight-ahead moments on the album, however it doesn't lack anything against its seven other musical companions. The chorus is highly melodic, all the typical Sabbath elements come together in a bruising 5 minutes of dungeons and dragons epicness, including references to heroes, princes and kings, demons with wings.. you get the picture? Yup.. all good!

Black Moon - Another fave track for me is the raging metal of 'Black Moon'. It has a blues/metal riff that is bludgeoned to death by a terrific drum sound from Powell. Martin manages to make this one sound convincing, even pulling a near David Coverdale like delivery, though I doubt you'd be hearing DC singing anything like this! Apaprently, the band had released an earlier version of this song which appeared as a B-side from 'The Eternal Idol' sessions two years previous.

Nightwing - The closer 'Nightwing' is perhaps the most subdued moment on the album. The doom-laden riffs coming home to roost yet again, roost being the operative word, as Tony Martin indicated this song was about bats and owls - according to a Metal Forces interview from 1989.


In Summary
Understandably, the band were very happy with the outcome of the album - 'Headless Cross' proving to be successful in their native Britain and Europe, less so in the USA, where poor promotion by their label IRS failed to get the momentum needed to ride on the back of an American tour, which had to be curtailed unfortunately. Not to be outdone, The Sabbs returned for another great effort 'Tyr' with pretty much the same lineup, with the exception of Neil Murray, who joined the band after a stint with Japanese metallers Vow Wow. Without doubt, all of the Tony Martin era Sabbs albums are must-haves for your ever expanding collection. Though this is only a 8-tracker, all tracks are exceptional - not a dud among them. Buy without hesitation!


Videos
Black Sabbath - 1989 Headless Cross


Black Sabbath - 1989 Devil And Daughter


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Comments
#1 | jeffduran on June 30 2008 05:57:50
IRS was an embarassing label for SABBATH IMHO. 'Devil And Daughter' is great off this. An overlooked chapter in their bloody career that IOMMI should consider resurrecting. Like KISS, some of the best work from these 70's icons came when most had given up on the metal mongers-in the 80's!
#2 | gdazegod on June 30 2008 10:48:57
I love the Cozy Powell double kick drum sequence toward the end of the video (3m 33sec mark), where he holds his hands above his head. Ooh yeah!
cheerleader
#3 | george_the_jack on June 30 2008 16:09:32
Tony Martin is maybe the most underated vocalist of his era.Great vocal ability together with expressionism and theatrical talent. His exceptional music talent has been proved by the huge range of music instruments he plays...A real music genius. In my opinion, he drove Sabbath to quality paths compared to their past. Offered a new dimension of Black Sabbath during his tenure with them. Widened the audience of the band and brought new fans to their legacy by bringing new music elements. For me, is a great singer and he still remains my favorite Sabbath voice ever.
#4 | YNGWIEVIKING on July 13 2008 11:36:26
HUGE album almost perfect! clap clap
#5 | eirrom on February 23 2010 20:22:40
Love this album. Still listen to it a lot. Headless Cross is a great song and a great video. Tony Martin just doesn't get any respect but has did a great job fronting this band.
#6 | AOR Lee on March 25 2012 18:31:26
Bought Headless Cross and Petra / On Fire together after school one day. Very extreme opposites lyrically but I still swear by both albums. Now to track down Seventh Star since Alun's review has got my attention
#7 | gdazegod on December 29 2017 21:14:22
It's a pity that IRS never put any of their catalog onto streaming services. This album is not available, which is a pity.
 
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