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23-01-2018 19:27
R.I.P Dave Holland, drummer, ex Trapeze and Judas Priest. Aged 69.

22-01-2018 21:32
Wonderful recent interview with Gary Numan.

21-01-2018 21:04
Lucky and now skint, judging by the winning bid!!

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Some lucky Jeff Lynne fan got a real rarity!

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20-01-2018 22:04
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17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

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Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

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Articles Home » 1972 Articles » Bloodrock - 1972 Passage
Bloodrock - 1972 Passage

ARTIST: Bloodrock
ALBUM: Passage
LABEL: Capitol
SERIAL: SW 11109
YEAR: 1972


LINEUP: Ed Grundy - bass * Steve Hill - keyboards * Warren Ham - lead vocals, flute, sax, harmonica * Nick Taylor - guitar * R. Cobb III - drums, percussion

TRACK LISTING: 01 Help Is On The Way * 02 Scottsman * 03 Juice * 04 The Power * 05 Life Blood * 06 Days and Nights * 07 Lost Fame * 08 Thank You Daniel Ellsberg * 09 Fantasy

Bloodrock stormed out of Ft Worth, Texas in 1970 with their high powered blend of hard rock and with Grand Funk Railroad manager Terry Knight calling the shots for the band, they were one of the most prolific and hardest working bands of the era. Yet, despite their popularity, they seem to have been forgotten in the annals of hard rock. Personally I never thought their early albums were that great, offering up a sludgy brew of Black Sabbath and Black Oak Arkansas, for the most part written by hot shot guitarist, fellow Texan and non-member John Nitzinger. Bloodrock had one hit single called 'D.O.A' which still gets radio time believe it or not, played everywhere live and with any band who would let them share a stage. This was Vietnam-era music, greasy guitars for easy riders and Hells Angels. The critics hated them while throngs of 'long hairs' in leather fringe jackets bought their albums and concert tickets, attempting to get away from the establishments hypocrisy in a haze of blue smoke and free love. In 1971 Bloodrock released their fourth album 'U.S.A' which showed a marked change from the previous three releases. Yes, it was still hard rock, but progressive rock's star was rising and the band began taking chances in light of what they must have been hearing from England. The results were the departure of two key members including vocalist Jim Rutlege. The group released a live album and vocalist Warren Ham was introduced for their fifth studio album 'Passage'.

The Songs
With this album, Bloodrock delivered what has to be one of the most remarkable 'about face' style changes in the history of rock music. You would never guess this was the same band. Warren's voice fits the music perfectly and opening with 'Help Is On The Way' is a perfect slice of sweet 70's rock that sounds very much like Kansas at their best. The following 'Scottsman' shows a strong Jethro Tull influence complete with Ham's jazzy flute. 'Life Blood' follows a similar path throwing in some Keith Emerson styled keyboard runs while 'Fantasy' combines both Emerson Lake & Palmer with middle- period Soft Machine, creating a wonderful jazz rock sound and the best song on the album.

In Summary
When early American progressive rock, or 'Ameriprog' is discussed Ethos, Fireballet, Kansas, Starcastle and Happy The Man are usually brought up first, but other than the Styx debut, I am hard pressed to come up with an earlier American progressive album other than 'Passage'. It was ahead of it's time and the bands follow-up and final record 'Whirlwind Tongues' is equally as good if not slightly better. Warren Ham would wind up as backing vocalist for Kansas and work with Kerry Livgren and AD. Both albums featuring Ham as well as an unreleased album 'Unspoken Words', have been reissued by One Way Records on a two disc set called 'Triptych'. It's a superb value for money release and worth picking up for fans of the American scene.

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#1 | rkbluez on December 19 2009 14:56:32
Great underated band...I still like the original Bloodrock with (Rutledge's vocals and Picken's guitar) stuff better than the Whirling Tongues / Passages era stuff but it's still cool stuff. Where as the early stuff was bomblastic with a lot of upfront guitar solo's these two albums took on a more pomp prog kind of sound...both are excellent classic 70's rock but just not as killer as the early more intense dark, evil sounding stuff with Rutledge's gruff vocals and Picken's smoking licks that were really like the beginnings of American heavy metal for me...kinda sad they only wound up gaining cult status.
#2 | tompa on August 28 2015 00:09:05
Never bothered with Whirlwind Tongues and Passage at first because of the absence of Pickens and, instead, the addition of flute and sax. SAX! The horror! But after I had an (accidental) listen I found both of them to be quite good.
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