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englandashes
17-01-2018 21:50
In response to Cyrille Regis, BBC 2 repeat the Adrian Chiles documentary, Whites v Blacks, How Football Changed A Nation, unbelievable true story, worth watching

Explorer
17-01-2018 18:44
Review of the rather splendid `Hornal` album is in the works too.

gdazegod
17-01-2018 01:57
Dave and Jeff's best of 2017 wrap-up's just around the corner too.. computer work

gdazegod
17-01-2018 01:56
There is a three-part article coming up for E.L.O (Eldorado, A New World Record and Out Of The Blue). Look out for it soon.

Explorer
16-01-2018 08:52
Stoke fans have my commiserations.Und
er Lambert the Villa played some of the most boring, unimaginative football I`ve ever had the misfortune to witness.Relegation
?,yes I`d say so.

gdazegod
16-01-2018 00:59
Stoke City condemned 2 relegation. Who is the new manager? Paul Lambert.

englandashes
15-01-2018 22:09
Agreed Reyno about Clyde Best, further back is the story of Walter Tull which is quite heartbreaking, links to Northampton and lived in Rushden.

englandashes
15-01-2018 22:05
Big loss is Cyrille, only short time at Wolves, but I was at the Peterborough game where he scored the last minute winner, Cyrille and Laurie C, what a team.

reyno-roxx
15-01-2018 22:05
I think many people forget guys like West Ham's Clyde Best whenever the subject of the impact of black footballers in the English game crops up. He was just as good as the West Brom trio years b4

Explorer
15-01-2018 19:13
Cyrille was part of the ground breaking so called 'three degrees' who did so much to break down racial barriers in Football back in the late 70's.R.I.P

Articles Hierarchy
Articles Home » 1985 Articles » Lodgic - 1985 Nomadic Sands
 
Lodgic - 1985 Nomadic Sands



ARTIST: Lodgic
ALBUM: Nomadic Sands
LABEL: A&M
SERIAL: A&M 5094
YEAR: 1985

COUNTRY OF ORIGIN:

LINEUP: Mike Sherwood - vocals, keyboards * Billy Sherwood - vocals, bass * Guy Allison (Steiner) - keyboards, vocals * Jimmy Haun - guitars, vocals * Gary Starnes - drums

TRACK LISTING: 01 Romance * 02 Step Back * 03 Lonely Man * 04 Red Light * 05 Rise And Fall * 06 Push So Hard * 07 In The Cards * 08 Nomadic Sands * 09 Linda Sue * 10 Bringing Me Back


Background
Lodgic appeared out of Los Angeles during the late 70's. Playing a style of prog which wasn't that popular at the time, the band stuck to their guns and played many of the usual haunts in L.A. At the time, Lodgic had a large contingent of players. Eight at one stage including a singer, bassist, two guitarists, two drummers and two keyboardists. However by 1985, the band were trimmed to five, and included within it's membership the brothers Mike and Billy Sherwood. The production values of this album are super melodic. The band's obvious prog tendencies crosses paths with the production team of David Pack, Steve Porcaro and Tom Knox. This trio's knack for swimming their music in bucketloads of melody ensures Lodgic don't over-extend or get too self-indulgent as prog bands are want to do. The immediate comparison here are the bands Saga and Yes. Saga - who during their mid 80's phase played extremely tight commercial crossover prog/AOR, while Yes were buoyed by the success of their mega selling '90125' album.. probably half the reason why A&M signed Lodgic in the first place - looking for similar success.


The Songs
When you listen to these tracks, it sounds like an album played by musicians for musicians. Opener 'Romance' is quite sparse sounding on the verses but undeniably melodic throughout. Without doubt, Saga is the reference point of 'Step Back' while 'Lonely Man' is laid back and restrained by comparison - still vocally lush but played with pop tendencies.. Go West would be a faint similarity. 'Red Light' is a fantastic hybrid of those two aforementioned bands Saga and Yes. Pick the eyes out of this one! Jimmy Haun gets to let loose on 'Rise And Fall'. The solos are fast, and there is an abundant use of analog delay effects which make this track an engaging listen. An interesting use of keys is the first feature on 'Push So Hard', though the vocal emphasis on the chorus is understandable given the title. 'In The Cards' throws a deuce or two at The Cars circa their popular early 80's era. I wasn't that convinced listening to the tile track, but the last two tracks are essential listening. 'Linda Sue' is more AOR than it is prog, with a nod towards the likes of Bystander, Surgin and their ilk. However, the albums ends with the sensational 'Bringing Me Back', complete with a combination of storming guitars and thrilling keyboards!


In Summary
Of course, part of this line-up would go on to form World Trade, another excellent crossover prog/AOR outfit who released two albums 'World Trade' and 'Euphoria'. Guy Allison would also go on to play with Unruly Child and Air Supply. Of most interest to current day followers of Billy Sherwood is his work with Yes, Conspiracy and in 2007, the band Circa, which features himself, Jimmy Haun and Yes members Tony Kaye and Alan White. This looks as if it could be an outfit to follow up on. Check them out on their myspace page (search terms: sherwood circa). The greatest pity with Lodgic is that this one-off album still remains in the vinyl realm, and is becoming harder to track down with each passing day.


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Comments
#1 | sir lord baltimore on April 23 2009 11:58:11
Yes, a light version of World Trade. 'Linda Sue' is a fantastic track. The production could have been more powerful, but overall a great record.
#2 | swazi on June 01 2011 08:55:30
Yes, really a great record! I wish someone would give this one a proper CD reissue! Wounded Bird ? Rock Candy ?? Go for it!
#3 | reyno-roxx on September 06 2011 09:41:01
Now briefly announced on Yesterrock's website as coming soon.
#4 | swazi on February 13 2012 22:49:44
Great CD, thanks to YesterRock!
#5 | super80boy on June 28 2014 14:33:05
Lush melodic arrangements with progressive touches create a choice AOR album. Some research showed these guys were an opening act for Supertramp at one point and the album single 'Lonely Man' was featured in a movie. Given the production team, you can be sure that the successful Toto formula would be tapped, like in the sweeping melancholic 'Linda Sue'.
 
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