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Deep Purple - 1974 Burn



ARTIST: Deep Purple
ALBUM: Burn
LABEL: Purple
SERIAL: TPS-3505
YEAR: 1974
CD REISSUE: 2005, Rhino (USA), 30th Anniv Edition, R2 74641

COUNTRY OF ORIGIN:

LINEUP: David Coverdale - vocals * Ritchie Blackmore - guitar * Glenn Hughes - bass * Ian Paice - drums * Jon Lord - keyboards

TRACK LISTING: 01 Burn * 02 Might Just Take Your Life * 03 Lay Down, Stay Down * 04 Sail Away * 05 You Fool No One * 06 What's Going On Here * 07 Mistreated * 08 A 200

WEBLINKS: www.deeppurple.com


Background
The initial success of Deep Purple Mk 3 could be attributed to the hard work of the Mk 2 version, whose relentless US Tours and major sales of albums like 'Machine Head' and 'Made In Japan' made them one of the biggest selling bands of 1973 in the USA. The tepid 'Who Do We Think We Are' of 1973 was the final statement from Ian Gillan and Roger Glover, who quit the band in bitter circumstances, just as Purple had gained massive levels of recognition. Purple soldiered on and for the second time were forced to find a new bassist and vocalist. The bass duties were easily filled, by Trapeze's Glenn Hughes. who Blackmore had apparently been lining up for some time. The choice of vocalist was a major surprise, an unknown named David Coverdale, quite an inspired choice, despite a drunken demo tape! 'Burn' was quickly cranked out in late '73, and was perhaps the equal of 'Machine Head', a mature hard rock statement that showed nothing had been lost in transition.


The Songs
The title track remains an awesome piece of driving hard rock, with perhaps the mightiest drumming put forth by Paice on any Purple record. Blackmore's riff is distinctive, dominating proceedings and Coverdale's vocals were instantly more deeper than Gillan's, and just as memorable. The energy that had evaded 'Who Do We Think We Are' was certainly back in place. A more bluesy tone provides the bulk of 'Might Just Take Your Life', which displays the dual vocals of Hughes and Coverdale that led to so much tension in the next year, surely an embarrassment of riches with two superlative vocalists on hand. A more frantic pace resumes with 'Lay Down, Stay Down', a full scale belter with a healthy dose of piano from Lord and Paice thrashing wildly again. For intense moodiness nothing can top 'Sail Away', as Lord's updated 70's keyboard effects add high drama along with a harsh Blackmore riff. 'You Fool No One' became a concert favourite for MK 3, regularly dragged out to fifteen minutes or longer, but in its studio form is sanitised four and a half minutes of manic hard rock, which demonstrates the power this lineup was capable of. It has to be said it was a different power from the MK 2 version, not quite as metal, but certainly as reckless. This is proved by the extremely hard blues tinged 'What's Goin' On Here', heavy on straight piano work and some bluesy soloing from Blackmore. Coverdale took a liking to the epic 'Mistreated', a grinding exercise in slow, heavy rock mode, which Purple had previously untouched. Coverdale was born to sing this material, getting right into the dramatic nature of the track, with some gutsy and desperate singing, a tour de force. Of course he would continue playing this live with Whitesnake. Of questionable inclusion in the almost progressive instrumental ' 'A' 200', with an overload of futuristic sounding synths and haunting guitar soloing. Somehow this doesn't fit in with the direction of the album as a whole.


In Summary
'Burn' reached the top ten on both sides of the Atlantic and Purple embarked on a successful tour of the US which culminated in their famous performance at the California Jam in 1974 in front of 400,000 people. The wheels started to fall off immediately as Blackmore began to tire of the direction Purple were heading, less hard rock and more 'funk' in his mind. That same year 'Stormbringer', another fantastic effort was released to declining audiences, suggesting Purple were already fading after just six years! It seems amazing that Purple could replace two band members and release two albums all in the space of a year! Nowadays that process would take four years. 'Burn' saw Purple still at the height of their powers, and never really has gotten the recognition it deserves. It was their last album recorded in positive circumstances during the 70's, and this is obvious throughout.


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This article has been tagged
Tags: Deep Purple 
 
Comments
#1 | sabace on March 08 2008 16:48:38
Purple's best LP!
#2 | george_the_jack on May 08 2009 18:32:22
Glorious David....Perfection!
#3 | jefflynnefan on May 10 2009 20:47:48
"Might Just Take Your Life" has always been one of fave DP songs!
#4 | rkbluez on February 27 2012 21:17:57
One of my favorite Purple albums...this one is just killer all the way through...great stuff...still remember walking a long way to a record store in the next town to pick this up...always liked the cover art with the candles.
#5 | super80boy on September 13 2014 16:43:26
Wonderful album with exceptional tracks throughout and the classy vocal trade-offs with Coverdale and Hughes worked very well. Thumbs up on the wicked front and back jacket artwork.
 
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